The four-hand ensembles by Ludwig van Beethoven: search and gain
DOI:
https://doi.org/10.34069/AI/2023.67.07.30Palavras-chave:
Ludwig van Beethoven, four-hand piano ensemble, march, variations.Resumo
The original four-hand ensembles by L. Beethoven have not received the proper attention of scientists. The aim of the study is to evaluate the composer’s gain from the standpoint of the searches for new sonority and timbre variety. This approach reveals the process of the mutual influence of the two-hand and four-hand compositions in his piano heritage. The main method was musical analysis, using which Beethoven's notes and scores were examined, and their structure was investigated on the basis of analysis and synthesis. The principles of abstraction, specification and generalization are also used. The result is the semantization of the developed techniques, the modelling of various figurative-playing situations in the march genre, the variety of characteristic means as the ways of varying song melodies, the combination in the variation cycle of the features of amateur music-making and concert style. In conclusions it is shown, that assimilation of the experience accumulated in the four-hand literature and new capabilities of the instrument laid the foundation for a new type of composer thinking. As the example Variations on the Theme of Beethoven for two pianos by C. Saint-Saens are considered.
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Referências
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Telesko, W., Zapke, S., & Schmidl, S. (2020). Beethoven visually: The composer reflected in the visual imagination. Hollitzer Verlag. https://doi.org/10.2307/j.ctvwh8cjv
Bernhardt, E. (2021). Beethovens tider. Agora, 37(03-04), 527-538. https://acortar.link/ybfM0k
Beethoven, L. V. (1952). Original compositions for piano 4 hands. C. F. Peters. URL: https://acortar.link/Tuu3eJ
Beethoven, L. Van. (1976). Piano sonatas. G. Henle Verlag, 1. URL: https://acortar.link/Gmi1jq
Burnham, S. (1995). Beethoven Hero. Princeton University Press, 1995. URL: https://www.jstor.org/stable/j.ctv131bv79
Caeyers, J. (2020). Beethoven: A life. Berkeley, CA: University of California Press. URL: https://www.ucpress.edu/book/9780520390218/beethoven-a-life
Camargo, C. H. F., & Bronzini, A. (2015). Tourette's syndrome in famous musicians. Arquivos de Neuro-Psiquiatria, 73(12), 1038-1040. https://doi.org/10.1590/0004-282x20150148
Clarke, E., DeNora, T., & Vuoskoski, J. (2015). Music, empathy, and cultural understanding. Physics of Life Reviews, 15, 61-88. https://doi.org/10.1016/j.plrev.2015.09.001
Cooper, B. (2000). Beethoven. University Press.
De Luca, M., Campo, R., & Lee, R. (2019). Mozart or pop music? Effects of background music on wine consumers. International Journal of Wine Business Research, 31(3), 406-418. https://doi.org/10.1108/ijwbr-01-2018-0001
Eberler, M. W. (1923). Studies on the development of the setting style for piano four hands from the beginnings to Franz Schubert. Ludwig Maximilians University.
Garrison, T. (2019). Western art music. The SAGE International Encyclopedia of Music and Culture. https://doi.org/10.4135/9781483317731.n785
Geck, M. (2017). Beethoven: The Creator and His Universe. Siedler. ISBN 3827500869
Goodhart, A. M. (1936). Some Casual Reminiscences of Famous Musicians. The Musical Times, 77(1115), 21. https://doi.org/10.2307/919106
Greenfield, E., Beethoven & Kempff, W. (1965). Piano Sonatas Nos 1-32. The Musical Times, 106(1464), 124. Doi: https://doi.org/10.2307/949557
Jan, S. (2022). 2 The Evolution of Human Musicality. In Music in Evolution and Evolution in Music (p. 63–164). Open Book Publishers. https://doi.org/10.11647/obp.0301.02
Jones, R. (2014). Beethoven and the sound of revolution in Vienna, 1792-1814. The Historical Journal, 57(4), 947-971. https://doi.org/10.1017/s0018246x14000405
Kauffman-Ortega, E., & Valdovinos-Díaz, M. A. (2020). In memoriam Ludwig van Beethoven. Clinical history and possible diagnoses of the genius of musical composition in silence. Revista de Gastroenterología de México (English Edition), 85(4), 375-378. https://doi.org/10.1016/j.rgmxen.2020.10.006
Kemner, S. (n.d.). The choral sublime: a study of Beethoven’s Drei Equale. Music & Practice, 8. Retrieved from: https://acortar.link/i4NWmx
Kesselschläger, C. (1941). Franz Schubert's works for piano four hands, a contribution to the history and stylistics of four-hand piano writing (Unpublished doctoral dissertation). Albert-Ludwigs-Universität, Freiburg im Breisgau, Germany.
Lockwood, L. (2012). Beethoven: His Music. His life. Special edition. J.B. Slaughterer. ISBN 347602461X
Newmark, J. (2009). Neurological Problems of Famous Musicians: The Classical Genre. Journal of Child Neurology, 24(8), 1043-1050. https://doi.org/10.1177/0883073809332764
Ott, K.-H. (2019). Rush and silence: Beethoven's symphonies (2nd ed.). Hoffmann und Campe. ISBN: 978-3-455-00396-3
Raposo, D., Neves, J., Silva, J., Castilho, L. C., & Dias, R. (2020). Advances in design, music and arts: 7th meeting of research in music, arts and design. Springer Nature.URL: https://acortar.link/dHq8Uq
Rehfeldt, R. A., Chan, S., & Katz, B. (2021). The Beethoven Revolution: a case study in selection by consequence. Perspectives on Behavior Science, 44, Article 69-86. https://doi.org/10.1007/s40614-020-00271-x
Rücker, A. (2002). Beethoven's piano writing - technique and style. Frankfurt am Main; Bern; Brussels: P. Lang. Retrieved from: http://catalogue.bnf.fr/ark:/12148/cb388866687
Rummenhöller, P. (1995). Romance in music. Analyzes, portraits, reflections. Bear Rider Verlag. ISBN3761812361
Rumph, S. (2004). The Heroic Sublime. In Beethoven after Napoleon Political Romanticism in the Late Works (p. 35–57). University of California Press. https://doi.org/10.1525/california/9780520238558.003.0003
?ahin, M. (2013). Music Entertainment culture and Famous Musicians in the Tamerlane. History Studies International Journal Of History, 5, 2(5). https://doi.org/10.9737/historys_639
Saint-Saens, C. (2013). Variations on a theme of Beethoven: Opus 35: for two pianos, four hands. Alfred Music. ISBN1-4706-1044-2
Scripp, L., & Gilbert, J. (2019). Human development through music. Music Learning as Youth Development, 8-39. https://doi.org/10.4324/9780429436956-2
Sedivy, R. (2021). Beethoven-life and maladies. Vienna Medical Weekly, 171(15-16), 349-350. https://doi.org/10.1007/s10354-021-00878-y
Stoelzel, M. (1984). The beginnings of four-hand piano music: Studies on the movement typology in the Muzio Clementi sonatas. Peter Lang.
Stoelzel, M. (1991). Mozart's last four-hand sonata in C major KV 521, completed in Vienna. In Mozart Yearbook 1991. Report on the International Mozart Congress Salzburg (pp. 716–723). Bear Rider. (In German)
Suvorov, V., Skakalska, Z., Pyavka, M., & Dushniy, ?. (2022). Theoretical and methodological aspects of the use of digital educational technologies in the process of musical-instrumental training of applicants for the higher education of the future. Futurity Education, 2(4), 74–82. https://doi.org/10.57125/FED.2022.25.12.08
Telesko, W., Zapke, S., & Schmidl, S. (2020). Beethoven visually: The composer reflected in the visual imagination. Hollitzer Verlag. https://doi.org/10.2307/j.ctvwh8cjv
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Publicado
2023-08-30
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Mizitova, A., Sediuk, I., Kopeliuk, O., Cherednychenko, O., & Pidporinova, K. (2023). The four-hand ensembles by Ludwig van Beethoven: search and gain. Amazonia Investiga, 12(67), 337–351. https://doi.org/10.34069/AI/2023.67.07.30
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