Biography as a factor of shaping the artist’s creative style
DOI:
https://doi.org/10.34069/AI/2023.67.07.3Palavras-chave:
biography, the artist, creative style, artistic opus, humanitarian studies.Resumo
The objective of the article is to specify the essence of the chronicle as a sociocultural, anthropocentric phenomenon, as well as to justify the significance of biographical factors in the establishment and development of the master’s creative style. Its implementation has become possible via involving a number of general scientific methods (induction, deduction, synthesis, etc.) alongside with the following interdisciplinary approaches: culture studies, comparative, biographical, analytical, systemic, etc. It was confirmed that: the biography is the central genre of comparative humanitarian studies. It implements ontology, outlook and the key achievements of an individual. Due to its multifaceted and universal character, the biography appears an important factor of shaping, transforming and studying the master’s technique; it fixes and explicates the basic stages of a creative personality’s individual history, biography events that have presupposed active/passive character, justified the person’s spiritual requirements and revealed their philosophical paradigm. While rebroadcasting the master’s chronicle, the author simultaneously reveals the sociocultural situation in which the character used to exist, and demonstrates the dominating concepts of the period.
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Referências
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Mykulanynets, L. (2021). The reflection of the epoch’s artistic image in an artist’s biography. Fine Art and Culture Studies, 1, 142-147 [in Ukrainian]. https://acortar.link/y5maDY
Mykulanynets, L. (2022). The artwork as a part of the artist’s biography. National Academy of Culture and Arts Management ?erald: Science Journal, 2, 170-174 [in Ukrainian].
Muratova, O. V. (2020). Biography as a form of the artist’s personality cognition: the essence, aspects, interpretations. Scientific Bulletin of the International Humanitarian University. Ser.: Philology, 46, 94 – 97 [in Ukrainian]. http://vestnik-philology.mgu.od.ua/archive/v46/part_3/24.pdf
Menzhulin, V. I. (2011). Historical and philosophical biography: leading trends and milestones. Scientific notes of NaUKMA. Series Philosophy and Religious Studies, 115, 18-25 [in Ukrainian].
Novosad, N.I., & Moroz, L.V. (2014). Artistic biography as a way of the Renaissance «fact literature». Current issues of philology and humanitarian disciplines teaching methodology, 42-44 [in Ukrainian].
Onufriienko, O.P. (2011). The artist’s science biography within the culture and artistic context. Contemporary issues of linguistics and literature studies, 15, pp 194-198 [in Ukrainian].
Popovych, O. V. (2011). Biography as phenomenon and object of culture. Humanitarian Journal, 2, 96-103. [In Ukranian]
Sainte-Beuve, Ch. (2008). Portraits contemporains. Edition established, prefaced and annotated by Michel Brix. Paris: Paris-Sorbonne University Press. [In France]
Schleiermacher, F. (1999) Hermeneutics and Criticism: And Other Writings (Cambridge Texts in the History of Philosophy). [In England]
Svjashhenko, Z.V. (2017). Historical biographic studies genesis within the Antiquity and Renaissance periods. [File PDF]. Retrieved from: https://dspace.udpu.edu.ua/bitstream/6789/603/1/Zarodzhennya_biografistyky.pdf
Valevskyi, A.L. (1993). The basics of biographics. Kyev: Scientific thought [in Ukrainian].
Vernik, Yu. V. (2013). Biographical information as an object of social communications of modern society. Ukrainian biography, 10, 48-60 [in Ukrainian].
Vlasova, T.I., & Kryvchyk, Gh.Gh. (2018). The reception of biographic method in historical and anthropological studies. Anthropological dimensions of philosophical research, 13, 156-165 [in Ukrainian]. http://eadnurt.diit.edu.ua/jspui/bitstream/123456789/10543/1/Vlasova.pdf
Zlotnyk O. J. (2019). Communicative space of musical art of Ukraine of the end of XX - the beginning of XXI century. (Extended abstract of candidate’s thesis). National Academy Managing Personnel of Culture and the Arts, Kyjiv [in Ukrainian]. https://acortar.link/EQeuD0
Astalosh, G. L., & Mykulanynets, L. M. (2021). Creative portrait as a way of cognition of artist’s personality. Modern Ukrainian musicology: from musical artefacts to humanistic universals: Collective monograph. Riga, Latvia: “Baltija Publishing”, 111-125 [in Ukrainian]. http://baltijapublishing.lv/omp/index.php/bp/catalog/view/126/3479/7338-1
Andreiev, V. (2011). The historian’s “intellectual biography”: the explication of the notion. Eidos. Historical studies theory and history almanac, 5, 333-341 [in Ukrainian]. http://history.org.ua/JournALL/eidos/eidos_2011_5/eidos_2011_5.pdf
Babenko, T. (2005). Specifics of the author’s presence in the texts of contemporary art and biographic prose. Word and time, 10, 39-45 [in Ukrainian]. https://acortar.link/Yc9mn5
Bohdanova, N. (2011). The culture of life creativity of individual. Philosophical and ideological analysis. Kyjiv: Npu Emeni M. P. Dragomanova [in Ukrainian]. http://repo.uipa.edu.ua/jspui/bitstream/123456789/1848/3/Bogdanova_monografiya_1.pdf
Bondarchuk, V.O. (2017). Biography as a cultural phenomenon: the essence of the culture studies notion and research methodology. The theory and practice of the relevant science research. Young Scientist», 11(51) [in Ukrainian]. http://molodyvcheny.in.ua/files/journal/2017/11/118.pdf
Cherkashyna, T.Iu. (2015). Artistic original biography and biography memoirs: the discourse interrelation (the case study of the French authors’ artistic biographies). World literature: poetics, mentality and spirituality, 6, pp. 139-148 [in Ukrainian].
Cherkashyna, T. (2008). Specifics of the author’s presence in plot-based domain of artistic biography. [File PDF] [in Ukrainian]. https://evnuir.vnu.edu.ua/bitstream/123456789/12551/1/ilovepdf_com-162-171.pdf
Dichek, N. P. (2016). As a method Byohrafycheskyy tools polykulturnoho dialog. ?ducational Path, 4, pp. 15-19. Retrieved from: https://lib.iitta.gov.ua/704483/
Golubovich, I. (2009). Biography as a social and cultural phenomenon: methodology of analyzes on humanities. Integrative Anthropology, 1(13), 47-53 [in Ukrainian]. https://acortar.link/csXCpv
Hrab, U. (2016). Methodological aspects of the contemporary study of musicology intellectual biography. Ukrainian music, 1, 40-49 [in Ukrainian]. https://ukrmus.files.wordpress.com/2017/07/2016-1-n19-06.pdf
Kosheljev, A.O. (2021). Biographical culture and shaping the image of a historical personality in American society (the early XX – the XXI centuries). (Extended abstract of candidate’s thesis), Taras Shevchenka National University of Kyiv Ministry of Education and Science. Kyiv [in Ukrainian]. https://acortar.link/1egdHN
Levchenko, V. (2016). Intellectual biography as the key model of history research by Odessa generation of history scholars. Ukrainian biography studies, 14, 157-176 [in Ukrainian]. http://biography.nbuv.gov.ua/data/vidannya/14/JRN/PDF/11.pdf
Liashko, S.M. (2013). The “science biography” notion in the theory and practice of history and biography research. Ukrainian biography studies: the collection of science theses, 10, 25-47 [in Ukrainian].
Matsenko, S.P. (2014). Music as a biographic text constituent. Nutrition for literary studies, 89, 29-40 [in Ukrainian].
Minakov, M. (2015). The science biography genre: the interaction of Ukrainian science, policy and ideology. Ukrainian humanitarian review, 30-45 [in Ukrainian]. https://acortar.link/oCtyHf
Mykulanynets, L. M. (2015). The biography of an artist as means of culture interpretation. Ukrainian culture: the past, modern, ways of development: scientific words of Rivne state University in the Humanities. Ministry of education and science of Ukraine, 21, 80-84 [in Ukrainian]. http://dspace-s.msu.edu.ua:8080/bitstream/123456789/1644/1/?????????%20?????%20??%20?????%20?????????????%20????????.pdf
Mykulanynets, L. M. (2018). Art as a means of cultural communication of mankind. National Academy of Culture and Arts Management ?erald: Science Journal, 3, 317-321 [in Ukrainian].
Mykulanynets, L. (2021). The reflection of the epoch’s artistic image in an artist’s biography. Fine Art and Culture Studies, 1, 142-147 [in Ukrainian]. https://acortar.link/y5maDY
Mykulanynets, L. (2022). The artwork as a part of the artist’s biography. National Academy of Culture and Arts Management ?erald: Science Journal, 2, 170-174 [in Ukrainian].
Muratova, O. V. (2020). Biography as a form of the artist’s personality cognition: the essence, aspects, interpretations. Scientific Bulletin of the International Humanitarian University. Ser.: Philology, 46, 94 – 97 [in Ukrainian]. http://vestnik-philology.mgu.od.ua/archive/v46/part_3/24.pdf
Menzhulin, V. I. (2011). Historical and philosophical biography: leading trends and milestones. Scientific notes of NaUKMA. Series Philosophy and Religious Studies, 115, 18-25 [in Ukrainian].
Novosad, N.I., & Moroz, L.V. (2014). Artistic biography as a way of the Renaissance «fact literature». Current issues of philology and humanitarian disciplines teaching methodology, 42-44 [in Ukrainian].
Onufriienko, O.P. (2011). The artist’s science biography within the culture and artistic context. Contemporary issues of linguistics and literature studies, 15, pp 194-198 [in Ukrainian].
Popovych, O. V. (2011). Biography as phenomenon and object of culture. Humanitarian Journal, 2, 96-103. [In Ukranian]
Sainte-Beuve, Ch. (2008). Portraits contemporains. Edition established, prefaced and annotated by Michel Brix. Paris: Paris-Sorbonne University Press. [In France]
Schleiermacher, F. (1999) Hermeneutics and Criticism: And Other Writings (Cambridge Texts in the History of Philosophy). [In England]
Svjashhenko, Z.V. (2017). Historical biographic studies genesis within the Antiquity and Renaissance periods. [File PDF]. Retrieved from: https://dspace.udpu.edu.ua/bitstream/6789/603/1/Zarodzhennya_biografistyky.pdf
Valevskyi, A.L. (1993). The basics of biographics. Kyev: Scientific thought [in Ukrainian].
Vernik, Yu. V. (2013). Biographical information as an object of social communications of modern society. Ukrainian biography, 10, 48-60 [in Ukrainian].
Vlasova, T.I., & Kryvchyk, Gh.Gh. (2018). The reception of biographic method in historical and anthropological studies. Anthropological dimensions of philosophical research, 13, 156-165 [in Ukrainian]. http://eadnurt.diit.edu.ua/jspui/bitstream/123456789/10543/1/Vlasova.pdf
Zlotnyk O. J. (2019). Communicative space of musical art of Ukraine of the end of XX - the beginning of XXI century. (Extended abstract of candidate’s thesis). National Academy Managing Personnel of Culture and the Arts, Kyjiv [in Ukrainian]. https://acortar.link/EQeuD0
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Publicado
2023-08-30
Como Citar
Mykulanynets, L., Zhyshkovych, M., Bassa, O., Kachur, M., & Dikun, I. (2023). Biography as a factor of shaping the artist’s creative style. Amazonia Investiga, 12(67), 30–37. https://doi.org/10.34069/AI/2023.67.07.3
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