Interplay of tradition and modernity in contemporary art practices
DOI:
https://doi.org/10.34069/AI/2024.75.03.28Keywords:
Artistic consciousnesd political revolutions, using the method of literarys, traditions, postmodernism, practices, contemporary art.Abstract
The purpose of this article is to examine the profound transformation of artistic consciousness in recent years, drawing attention to the relationship between traditional philosophy and art and modernity. Despite the instability of this connection, art today reflects the reality of our time and focuses on social problems and political revolutions. Using the method of literary analysis and processing of such databases as Scopus, Google scholar and Research Gate, the paper analyses the impact of postmodernism on contemporary art and culture, expanding the horizons of interpretation and understanding of the image in art. The results of the work revealed theories that enable each individual to express their ideas and views through art, creating new ways of perceiving the world around them. It has been shown that the interaction of tradition and modernity in contemporary art practices occurs through the image as a key element of postmodernism, which plays an important role in the modern world. Visual perceptions, symbolism, fantasy and imagination are combined in the work of artists and contribute to the formation of reflective thinking. Husserl's philosophy and approaches to the perception of entities helped to develop reflection and understanding of the contemporary socio-cultural environment through the image as a “condition of possibility” for perceiving the world. We conclude that the visual dimension reflects the social construction of the gaze and the atmosphere of our time, reflecting the unique spirit of the era in which we live. The result is a relevant and important understanding of the importance of the image in contemporary culture and the impact of tradition on society.
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References
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Jürgens, A. S., & Hildbrand, M. (2022). Arts for all senses: Circus and the avant-gardes–introduction. In Circus and the Avant-Gardes (pp. 1-16). London: Routledge. https://doi.org/10.4324/9781003163749
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Pieni??ek, P. (2023). Postmodernism and postmodernity (in the light of the development of digital technologies and the processes of individualization). HYBRIS Online Philosophical Magazine, 2(61), 1-88. Retrieved from https://www.ceeol.com/search/article-detail?id=1210467
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Sproesser, G., Ruby, M. B., Arbit, N., Akotia, C. S., dos Santos Alvarenga, M., Bhangaokar, R., ... & Renner, B. (2022). Similar or different? Comparing food cultures with regard to traditional and modern eating across ten countries. Food Research International, 157. https://doi.org/10.1016/j.foodres.2022.111106
Stoliarchuk, O., Binkivska, K., Khrypko, S., Spudka, I., Chop, V., Chornomordenko, I., & Salo, ?. (2024). Interaction of Digital Trends and Sustainable Development: The role of Contemporary Art. European Journal of Sustainable Development, 13(1), 278-278. Retrieved from http://www.ecsdev.org/ojs/index.php/ejsd/article/view/1512
Taylor, D. R. (2023). The future needs the past: remaking William Morris through contemporary art practice (Doctoral dissertation), Sheffield Hallam University. https://doi.org/10.7190/shu-thesis-00544
Titkova, O. (2022). Ukrainian paediatrics of the future: current problems and prospects for improvement. Futurity Medicine, 1(4), 51-63. https://doi.org/10.57125/FEM.2022.12.30.05
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Arnold, C. (2023). New man and a Modernism": A Matter of Definition?. Newman Studies Journal, 20(2), 11-25. https://doi.org/10.1353/nsj.2023.a917838
Baca, A. (2023). Poststructuralism/postmodernism/postcolonialism: Mapping poststructuralism, postmodernism, and postcolonialism. In A Companion to Contemporary Art in a Global Framework (pp. 359-376). New York: John Wiley & Sons. https://doi.org/10.1002/9781119841814.ch27
Baker, G., & Joselit, D. (Eds.). (2022). A Questionnaire on Global Methods. October, (180), 3-80. https://doi.org/10.1162/octo_a_00453
Benda?, K. (2023). Postmodern consumption. Postmodern Digitalization: Postmodern Cores of the Digital World. Efe Academy, 157. Retrieved from https://acortar.link/6W0njP
Botvyn, T., Aleksandrova, M., Krymets, L., Dobrovolska, R., & Rudenko, O., (2022). Philosophical comprehension of the formation and development of Ukrainian culture in the context of military realities: the geopolitical aspect. Amazonia Investiga, 11(58), 84-92. https://doi.org/10.34069/AI/2022.58.10.9
Brannigan, E., & Lawson, L. (2023, November). Precarious movements: Contemporary dance as contemporary art. In Performance (pp. 278-292). Routledge. Retrieved from https://acortar.link/xVYlY3
Brondino, A., & Greaney, J. (2023). Total Modernism. CoSMo| Comparative Studies in Modernism, (22), 5-12. Retrieved from https://doi.org/10.13135/2281-6658/7814
Cahn, S. M., Ross, S., & Shapshay, S. L. (Eds.). (2020). Aesthetics: a comprehensive anthology. John Wiley & Sons. Retrieved from https://www.wiley.com/en-us/exportProduct/pdf/9781118948323
Chi, X. B., & Belliveau, G. (2022). Between tradition and modernity: developments in Xiqu (Chinese opera) actor training. Theatre, Dance and Performance Training, 13(4), 616-622. https://doi.org/10.1080/19443927.2022.2135873
Chifor, M. (2023). Modernism-context and overlooked literary manifestations. The Creative Launcher, 8(4), 61-72. https://doi.org/10.53032/tcl.2023.8.4.07
Corey, P. N. (2023). CRAFT: craft and the making of “global” contemporary art. In A Companion to Contemporary Art in a Global Framework (pp. 119-131). New York: John Wiley & Sons. https://doi.org/10.1002/9781119841814.ch11
Db watermanart (2019). Royal Academy of Arts: portraits from the precipice. Recovered from: https://www.dbwatermanart.com/blog?offset=1644148203493
Di Sabatino, P. A., & Mastrantoni, C. (2022). 7. Tradition and modernity/place and time The island of Murano: past–present–future. Design International Series. Retrieved from https://re.public.polimi.it/handle/11311/1218910
Dorren, L. (2024). Locating the modernist state. On whether or not modernist principles govern contemporary policy practice. Administrative Theory & Praxis, 46(1), 76-94. https://doi.org/10.1080/10841806.2023.2176076
Drummond, J. J. (2022). Historical dictionary of Husserl's philosophy. Lanem: Rowman & Littlefield. Retrieved from https://acortar.link/uTT84s
Earley, C. (2023). Crisis and engagement: a philosophy of contemporary art (Doctoral dissertation), University of Warwick. Retrieved from http://webcat.warwick.ac.uk/record=b3941363
Farokhinejad, P. (2023). Analyzing the opportunities and threats of postmodernism from the point of view of moral and religious values with emphasis on implications for educational managers. Journal of New Approaches in Educational Administration, 13(6), 165-175. https://doi.org/10.30495/JEDU.2022.30511.6117
Geography Asia (2018) Turkey Pictures: Ephesus. Recovered from: https://acortar.link/rvznrC
Hanna, R., & Paans, O. (2020). This is the way the world ends: A philosophy of civilization since 1900, and a philosophy of the future. Cosmos & History, 16(2). Retrieved from https://cosmosandhistory.org/index.php/journal/article/view/865
Ioris, A. A. (2023). World out of difference: Relations and consequences. Philosophy & Social Criticism, 49(10), 1220-1243. https://doi.org/10.1177/01914537221101316
Jove, G., Gutiérrez?Ujaque, D., Bonastra, Q., & Simón?Martín, M. (2022). From hybrid spaces to in?between spaces: a journey with contemporary art and situated knowledge. International Journal of Art & Design Education, 41(2), 242-256. https://doi.org/10.1111/jade.12411
Jürgens, A. S., & Hildbrand, M. (2022). Arts for all senses: Circus and the avant-gardes–introduction. In Circus and the Avant-Gardes (pp. 1-16). London: Routledge. https://doi.org/10.4324/9781003163749
Kellie O'Dempsey (2015). Bald, bald and other stories. Recovered from: https://www.kellieo.com/art/tag/2015
Kergel, D. (2023). Postmodern cyberspace. In Digital Cultures: Postmodern Media Education, Subversive Diversity and Neoliberal Subjectivation (pp. 35-121). Wiesbaden: Springer Fachmedien Wiesbaden. Retrieved from https://link.springer.com/chapter/10.1007/978-3-658-35250-9_2
K?eczek, R., & Hajdas, M. (2024). Transforming practices of co-creating values in a contemporary art exhibition. Qualitative Market Research: An International Journal. https://doi.org/10.1108/QMR-05-2022-0084
Kowalik, G. (2023). Post-postmodernism, the “affective turn”, and inauthenticity. Humanities, 12(1), 7. https://doi.org/10.3390/h12010007
Lauri Novak (2024) Photography. Recovered from: https://laurinovak.com
Melnyk, O., Shakun, ?., Herasymenko, ?., Nitchenko, ?., Olkhovyk, M., & Kolievatov, ?. (2023). Modern civil society in the era of informatization: postmodern worldview. High Announcement. Retrieved from http://erpub.chnpu.edu.ua:8080/jspui/handle/123456789/9246
Mullen, A. L. (2023). Locating meaning in contemporary art: how artists conceptualize the aesthetic experience. In The Cultural Sociology of Art and Music: New Directions and New Discoveries (pp. 133-162). Cham: Springer International Publishing. Retrieved from https://link.springer.com/chapter/10.1007/978-3-031-11420-5_6
O'Donnell, L. A. (2023). On the question of the ground of Fredric Jameson's postmodern dialectic. Cosmos & History, 19(2). Retrieved from https://acortar.link/cvKXIg
Pieni??ek, P. (2023). Postmodernism and postmodernity (in the light of the development of digital technologies and the processes of individualization). HYBRIS Online Philosophical Magazine, 2(61), 1-88. Retrieved from https://www.ceeol.com/search/article-detail?id=1210467
Pippin, R. B. (2021). Philosophy by Other Means: The Arts in Philosophy and Philosophy in the Arts. Chicago: University of Chicago Press. https://doi.org/10.1093/jaac/kpab046
Rugg, J. J. (2022). Further remarks on modern sepulture: Twenty years of cemetery studies and eight core questions defining cemetery research. Eastern and Northern European Journal of Death Studies, 1(1), 16-46. Retrieved from https://acortar.link/YTObLa
Say, J., & Seng, Y. J. (Eds.). (2022). Intersections, Innovations, Institutions: A Reader in Singapore Modern Art. World Scientific. Retrieved from https://acortar.link/kRLFcw
Sayed, R. (2023). Strategic Integration of Business Analytics in Innovation Management: Framework for Sustainable Growth. Futurity of Social Sciences, 1(1), 51-66. https://doi.org/10.57125/FS.2023.03.20.04
Simmons III, S. (2021). The value of drawing instruction in the visual arts and across curricula: Historical and philosophical arguments for drawing in the digital age. London: Routledge. https://doi.org/10.1080/00393541.2022.2081449
Skakun, I. (2022). Philosophical and methodological prospects for the future of synergetics in the scientific picture of the world. Futurity Philosophy, 1(4), 42-53. https://doi.org/10.57125/FP.2022.12.30.04
Slugan, M. (2019). Noël Carroll and film: A philosophy of art and popular culture. London: Bloomsbury Publishing. https://doi.org/10.1111/jaac.12701
Sproesser, G., Ruby, M. B., Arbit, N., Akotia, C. S., dos Santos Alvarenga, M., Bhangaokar, R., ... & Renner, B. (2022). Similar or different? Comparing food cultures with regard to traditional and modern eating across ten countries. Food Research International, 157. https://doi.org/10.1016/j.foodres.2022.111106
Stoliarchuk, O., Binkivska, K., Khrypko, S., Spudka, I., Chop, V., Chornomordenko, I., & Salo, ?. (2024). Interaction of Digital Trends and Sustainable Development: The role of Contemporary Art. European Journal of Sustainable Development, 13(1), 278-278. Retrieved from http://www.ecsdev.org/ojs/index.php/ejsd/article/view/1512
Taylor, D. R. (2023). The future needs the past: remaking William Morris through contemporary art practice (Doctoral dissertation), Sheffield Hallam University. https://doi.org/10.7190/shu-thesis-00544
Titkova, O. (2022). Ukrainian paediatrics of the future: current problems and prospects for improvement. Futurity Medicine, 1(4), 51-63. https://doi.org/10.57125/FEM.2022.12.30.05
Vidomenko, O., Levchenko, Y., & Lukianykhin, V. (2022). Features and economics of electronic crowdfunding in the face of global challenges. Futurity Economics & Law, 2(4), 12-22. https://doi.org/10.57125/FEL.2022.12.25.02
Wigena, I. B. W., Sumilat, G. D., & Wibowo, A. S. (2023). Social Studies In The Postmodernism Era. Technium Soc. Sci. J., 49, 158. Retrieved from https://acortar.link/j5L3DU
Published
2024-03-30
How to Cite
Pavliv, A., Mosendz, O., Rybchenko, O., Avula, A., & Fryz, P. (2024). Interplay of tradition and modernity in contemporary art practices. Amazonia Investiga, 13(75), 331–342. https://doi.org/10.34069/AI/2024.75.03.28
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