Social values in musical art in the context of intercultural communication: international experience
Keywords:
Musical art, Ukrainian music, intercultural comunicación, spiritual values, survey.
Abstract
The purpose of the article is to analyse the role of Ukrainian musical art in the contemporary world cultural process and the integration of Ukrainian music into the European cultural space. The main method used to conduct the research was a survey. The methods of quantitative and qualitative analysis, synthesis, and content analysis used to study the scientific literature on the subject were used to reveal its results. The results demonstrate that in the context of Russian aggression, Ukrainian music has become a means of presenting Ukrainian culture at the international level and pointing out the uniqueness of the Ukrainian people from the Russians. The study showed that the vast majority of respondents listen to music several times a day or several times a week. This high popularity makes it possible to use music to convey important social messages and pointers to solutions, including to audiences from other countries. The study also confirms the understanding of the role of music in intercultural communication, which is realised through listening to special musical compositions with an intercultural context or national (state) orientation. The conclusions emphasise that the understanding of music as part of cultural diplomacy remains an under-researched aspect in the Ukrainian context, as the global understanding of the role of musical art in the political arena still needs to be further developed. A promising area for future research could be to explore the possibilities of using music as an element of soft power in politics.
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Bank, K. (2020). The music of sense perception. Knowledge Building in Early Modern English Music, 89-136. https://doi.org/10.4324/9781003055891-3
Camlin, D. A., & Lisboa, T. (2021). The digital ‘turn’ in music education (editorial). Music Education Research, 23(2), 129-138. https://doi.org/10.1080/14613808.2021.1908792
Dovzhynets, I., Govorukhina, N., Kopeliuk, O., Ovchar, O., & Drach, I. (2022). Musical projects in Ukraine of the XXI century as trends in contemporary art. Amazonia Investiga, 11(54), 256-263. https://doi.org/10.34069/AI/2022.54.06.24
Farrell, N. (2019). Music after the Fall: Modern Composition and Culture since 1989. By Tim Rutherford-Johnson. Music and Letters, 100(4), 753-755. doi: https://doi.org/10.1093/ml/gcz092
Favoretto, M. (2018). Musicians in transit: Argentina and the globalization of popular music. Journal of Iberian and Latin American Research, 24(1), 92-102. https://doi.org/10.1080/13260219.2018.1496956
Gebesmair, A. (2022). The global music business, and the globalization of culture. У The oxford handbook of global popular music. Oxford University Press. https://doi.org/10.1093/oxfordhb/9780190081379.013.3
Haenfler, R. (2017). The entrepreneurial (straight) edge: How participation in DIY music cultures translates to work and careers. Cultural Sociology, 12(2), 174-192. https://doi.org/10.1177/1749975517700774
Hasegawa, R. (2022). Musical composition in the context of globalization: New perspectives on music history of the 20th and 21st century, by christian utz, translated by laurence sinclair willis. bielefeld, transcript verlag, 2021, 527 pages. Circuit: Musiques contemporaines, 32(1), 114. https://doi.org/10.7202/1088790ar
Heile, B. (2017). Weltmusik and the globalization of new music. In The modernist legacy: Essays on new music (p. 101–120). Routledge. https://doi.org/10.4324/9781315085876-8
Kholjurayevich, M. N., & Madaminovich, F. K. (2021). The role of music culture in inculcating the idea of national independence in the minds of the younger generation. ACADEMICIA: An International Multidisciplinary Research Journal, 11(5), 71-74. https://doi.org/10.5958/2249-7137.2021.01351.3
Krechko, N., & Sokolova, Y. (2021). Choral flash mobs and their role in modern music culture. Image of the Modern Pedagogue, 1(5), 109-112. https://doi.org/10.33272/2522-9729-2021-5(200)-109-112
Kuzio, T. (2021). Russia and Ukraine in comparative perspective. Russian Nationalism and the Russian-Ukrainian War, 65-95. https://doi.org/10.4324/9781003191438-3
Liashchenko, I., Kovalenko, O., & Muliar, P. (2021). Main trends of development of modern mass and elite music culture. Humanities Science Current Issues, 2(37), 35-41. https://doi.org/10.24919/2308-4863/37-2-6
Lum, C.-H. (2016). My country, my music: Imagined nostalgia and the crisis of identity in a time of globalization. International Journal of Music Education, 35(1), 47-59. https://doi.org/10.1177/0255761415619425
Miyake, H. (2016). Building space for diversity: Creative music-making project in urban Japanese context. Ch. Gold (ed). Abstracts of the 10th European Music Therapy Conference. Nordic Journal of Music Therapy, 25(sup1), pp. 49. https://doi.org/10.1080/08098131.2016.1179956
Petrauskaitė, D. (2023). The significance of Lithuanian societies for the development of national musical culture and statehood. In Glasbena društva v dolgem 19. usic societies in the long 19th century: Between amateur and professional culture (p. 101–114). Publishing House of the University of Primorska and Festival Ljubljana. https://doi.org/10.26493/978-961-293-217-6.101-114
Roslon, D. T., & Zavada, Y. I. (2021). The EU-Ukraine relations in the XXI century. Politicus, 5, 102-106. https://doi.org/10.24195/2414-9616.2021-5.17
Schevchenko, O. (2022). Concept fusion in modern rock music in Ukraine. Collection of Scientific Works “Notes on Art Criticism,” 41. https://doi.org/10.32461/2226-2180.41.2022.262984
Scripp, L., & Gilbert, J. (2019). Human development through music. Music Learning as Youth Development, 8-39. https://doi.org/10.4324/9780429436956-2
Sinelnikov, I., Andriichuk, P., Kovmir, N., Bogonis, P., Ivanish, A., & Shportko, O. (2023). Sociological study of the integration policy of ukrainian in the world cultural space. Journal of Research and Social Intervention, 81, 165-175. https://doi.org/10.33788/rcis.81.10
Suvorov, V., Skakalska, Z., Pyavka, M., & Dushniy, А. (2022). Theoretical and methodological aspects of the use of digital educational technologies in the process of musical-instrumental training of applicants for the higher education of the future. Futurity Education, 2(4), 74-82. https://doi.org/10.57125/FED.2022.25.12.08
Sydorenko, N. M., & Dubetska, O. O. (2022). Renewed avatars of Ukrainian culture. In The interaction of journalism, advertising and pr in the modern media space. Baltija Publishing. https://doi.org/10.30525/978-9934-26-250-0-25
Touya, M. (2018). Popular music and globalization. Trends in the Sciences, 23(4), 4_32–4_37. https://doi.org/10.5363/tits.23.4_32
Van der Hoeven, A. (2018). Narratives of popular music heritage and cultural identity: The affordances and constraints of popular music memories. European Journal of Cultural Studies, 21(2), 207-222. https://doi.org/10.1177/1367549415609328
Vashchenko, O., Kopeliuk, O., Sediuk, I., Bondar, I., & Kornisheva, T. (2022). Analysis of musical art trends in Ukraine in the 21st century. Amazonia Investiga, 11(56), 142-149. https://doi.org/10.34069/AI/2022.56.08.15
Varriale, S. (2016). Introduction: How things come into being. In Globalization, music and cultures of distinction (p. 1–7). London: Palgrave Macmillan UK. https://doi.org/10.1057/978-1-137-56450-4_1
Zavalko, K. (2021). The focus of modern music pedagogy in educational institutions of Ukraine. Musical Art in the Educological Discourse, 6. https://doi.org/10.28925/2518-766x.2021.64
Zhang, X., & Dai, J. (2021). Cultural and creative production in the era of globalization: Exploring the trans-border mobility of Chinese media and entertainment celebrities. Geoforum, 120, 198-207. https://doi.org/10.1016/j.geoforum.2021.02.001
Zinchenko, V., Dorosheva, A., & Mosiy, I. (2023). Innovative and cultural transformations of educational environment of the future: digitalization, barriers for traditional learning. Futurity Education, 3(1), 41-57. https://doi.org/10.57125/FED.2023.25.03.04
Published
2023-08-30
How to Cite
Dovzhynets, I., Petrenko, M., Karpenko, E., Zabolotnyi, I., & Holiaka, H. (2023). Social values in musical art in the context of intercultural communication: international experience. Amazonia Investiga, 12(68), 151-161. https://doi.org/10.34069/AI/2023.68.08.14
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