Digital art as new modern global trend in socio-cultural space of Ukraine

Volodymyr Cherniyavskyi; Antonina Dubrivna; Kostiantyn Cherniyavskyi; Olga Galchynska; Liudmyla Bilozub

doi:10.34069/AI/2022.60.12.16

Volodymyr Cherniyavskyi National Academy of Fine Arts and Architecture (NAOMA), Ukraine. https://orcid.org/0000-0001-5901-4480
Antonina Dubrivna Kyiv National University of Technologies and Design, Ukraine. https://orcid.org/0000-0001-8012-6946
Kostiantyn Cherniyavskyi National Academy of Fine Arts and Architecture (NAOMA), Ukraine. https://orcid.org/0000-0002-8136-4791
Olga Galchynska Mykhailo Boichuk Kyiv State Academy of Decorative-Applied Arts and Design, Ukraine. https://orcid.org/0000-0002-3030-6911
Liudmyla Bilozub Oles Honchar Dnipro National University, Ukraine. https://orcid.org/0000-0002-2384-827X

DOI: https://doi.org/10.34069/AI/2022.60.12.16

Keywords: digital art, Ukraine, development of digital technologies, society, education.

Abstract

The modern development of art has its own conceptual directions and features. One of these directions is digital art, which was formed as a result of the development of modern, primarily computer technologies, their close integration with everyday life. The purpose of the article is to investigate the salient features of the integration of digital art into the socio-cultural space of Ukraine. The research methodology consists of general scientific and special methods. In the results, the salient features of interest and development in digital art in Ukraine were analyzed, the formation of modern collectors, their methods of work, the presence of ceremonial events, and Internet platforms for popularizing the achievements of digital artists were determined. It was determined that as a result of the pandemic and the progress of digital technologies, a digital market was formed, the advantages of which have already been understood by users of virtual services. In the conclusions, it is noted that digital art has considerable prospects for development in Ukraine, as it corresponds to the general trend of digitalization of social processes.

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Author Biographies

Volodymyr Cherniyavskyi, National Academy of Fine Arts and Architecture (NAOMA), Ukraine.

Doctor of architecture, Professor, Head of the Department of Theory, History of Architecture and Art Synthesis National Academy of Fine Arts and Architecture (NAOMA), Faculty of Architecture, Department of Theory, History of Architecture and Synthesis of Arts, street Ascension Descent, Ukraine, Kyiv.

Antonina Dubrivna, Kyiv National University of Technologies and Design, Ukraine.

PhD in Art Studies, Head of the Department of Digital ArtKyiv National University of Technologies and Design, Faculty of Arts and Fashion, Department of Digital Art, Ukraine.

Kostiantyn Cherniyavskyi, National Academy of Fine Arts and Architecture (NAOMA), Ukraine.

Candidate of art history, Associate Professor of the Department of Design National Academy of Fine Arts and Architecture (NAOMA), Faculty of Fine Arts and Restoration, Department of Design Ukraine, Kyiv, 04053, street Ascension Descent, Ukraine.

Olga Galchynska, Mykhailo Boichuk Kyiv State Academy of Decorative-Applied Arts and Design, Ukraine.

PhD design, Associate Professor Mykhailo Boichuk Kyiv State Academy of Decorative-Applied Arts and Design, Ukraine.

Liudmyla Bilozub, Oles Honchar Dnipro National University, Ukraine.

PhD in Art History, Assosiate Professor Department of Fine Arts and Design Faculty of Ukrainian and Foreign Philology and Art History Oles Honchar Dnipro National University, Ukraine.

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