Development of Ukrainian  choral art in conditions of digitalization

Zlata Velychko-Solomennyk; Nelia Velychko; Andrii Bondarenko; Yana Kyrylenko; Lyudmyla Shumska

doi:10.34069/AI/2022.58.10.16

Zlata Velychko-Solomennyk National Music Academy of Ukraine at the P.I. Tchaikovsky, Kyiv, Ukraine. https://orcid.org/0000-0002-4090-3920
Nelia Velychko P. I. Tchaikovsky National Music Academy of Ukraine, Kyiv, Ukraine. https://orcid.org/0000-0001-7172-5779
Andrii Bondarenko Kyiv National University of Culture and Arts, Kyiv, Ukraine. https://orcid.org/0000-0002-6856-991X
Yana Kyrylenko Kyiv Metropolitan University after Boris Grinchenko, Kyiv, Ukraine. https://orcid.org/0000-0001-9823-3897
Lyudmyla Shumska Nizhyn Gogol State University (NGSU), Nizhyn, Chernihiv region, Ukraine. https://orcid.org/0000-0002-1440-049X

DOI: https://doi.org/10.34069/AI/2022.58.10.16

Keywords: digitization, digital technologies, Ukrainian culture, choral art, music, Ukrainian folk art, innovations.

Abstract

The topicality of the topic lies in the peculiarities of the development of digital technologies and the factors of their influence on the cultural activity of Ukrainian art. With the development of digital technologies, new opportunities are opening up to ensure the development of Ukrainian choral art. The scientific work aims to study the qualitative characteristics of modern Ukrainian artistic formation based on the improvement of teaching, popularization, and analysis of Ukrainian choral art. The object of research is modern methods of development of Ukrainian choral art with the help of global promotion of digitization processes, which affect not only the socio-economic environment of the country but also the quality of creation and development of cultural and ethical factors. . The research methodology consists in the use of modern means of digital technologies to promote the development of Ukrainian choral art. In addition, the research uses analytical, statistical, and deductive methods to explain the development of Ukrainian choral art in the conditions of digitalization. The obtained results of the research are important both for improving the tools of Ukrainian art and for conducting research on the methodology of development of Ukrainian choral art.

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Author Biographies

Zlata Velychko-Solomennyk, National Music Academy of Ukraine at the P.I. Tchaikovsky, Kyiv, Ukraine.

Teacher at the Department of Choir Conducting, Methodist of the Highest Category. Researcher at the Department of History of Ukrainian Music and Musical Folklore, Department of Choir Conducting, National Music Academy of Ukraine at the P.I. Tchaikovsky, Kyiv, Ukraine.

Nelia Velychko, P. I. Tchaikovsky National Music Academy of Ukraine, Kyiv, Ukraine.

Professor, Department of Choir Conducting P. I. Tchaikovsky National Music Academy of Ukraine, Kyiv, Ukraine.

Andrii Bondarenko, Kyiv National University of Culture and Arts, Kyiv, Ukraine.

PhD, Music Art, Kyiv National University of Culture and Arts, Kyiv, Ukraine.

Yana Kyrylenko, Kyiv Metropolitan University after Boris Grinchenko, Kyiv, Ukraine.

PhD in Arts, Associate Professor, Faculty of Musical Art and Choreography, Department of Academic and Pop Vocal, Kyiv Metropolitan University after Boris Grinchenko, Kyiv, Ukraine.

Lyudmyla Shumska, Nizhyn Gogol State University (NGSU), Nizhyn, Chernihiv region, Ukraine.

Honored Art Worker of Ukraine, professor, Educational and Scientific Institute of Arts named after Alexander Rostovsky. Department of Vocal and Choral Skills, Nizhyn Gogol State University (NGSU), Nizhyn, Chernihiv region, Ukraine.

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