Analysis of musical art trends in Ukraine in the 21st century

Olena Vashchenko; Oleh Kopeliuk; Ihor Sediuk; Ievgeniia Bondar; Tetiana Kornisheva

doi:10.34069/AI/2022.56.08.15

Olena Vashchenko Kharkiv I. P. Kotlyarevsky National University of Arts, Ukraine. https://orcid.org/0000-0003-0130-7568
Oleh Kopeliuk Kharkiv I.P. Kotlyarevsky National University of Arts Kharkiv, Ukraine. https://orcid.org/0000-0002-0428-1538
Ihor Sediuk Kharkiv I.P. Kotlyarevsky National University, Ukraine. https://orcid.org/0000-0002-4038-5211
Ievgeniia Bondar A.V. Nezhdanova Odessa National Music Academy, Ukraine. https://orcid.org/0000-0002-7655-6684
Tetiana Kornisheva Kherson State University, Kherson, Ukraine. https://orcid.org/0000-0002-1170-077X

DOI: https://doi.org/10.34069/AI/2022.56.08.15

Keywords: Ukraine, music, perspectives of development, trends.

Abstract

Thus, the development of Ukrainian music underwent a gradual evolution until the Russian aggression began in 2022. After the fall of the Soviet Union, Ukrainian-language music was not in favor, but after 2014 and especially after February 24, 2022, it became mainstream. Among Chusach varieties of musical art in Ukraine, the most common are pop, rock, rap, jazz, etc. The new opportunities that the Network has opened up for performers also have many hidden dangers. This is primarily about piracy, which significantly reduces the profits from selling your own. At the same time, thanks to multimedia and high-speed Internet, the exchange of musical novelties became more efficient. In particular, for a long time, Ukrainian music was characterized by the same trends as in the West: song plots, rhythms, popular styles of music, etc. It should be noted that the demand for Ukrainian music increased after Russia's military aggression. The Russian product was banned. So, if similar trends unfold in the same way, Ukraine will continue to see the emergence of new talented collectives. It should be noted that pop and rock are promising directions of music development but rap also looks extremely promising.

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Author Biographies

Olena Vashchenko, Kharkiv I. P. Kotlyarevsky National University of Arts, Ukraine.

PhD in Art Studies Senior Lecturer of Department of Ukrainian and Foreign Music History, Faculty of Performing and Musicology at Kharkiv I. P. Kotlyarevsky National University of Arts, Ukraine.

Oleh Kopeliuk, Kharkiv I.P. Kotlyarevsky National University of Arts Kharkiv, Ukraine.

Assistant Professor, PhD in Musicology Performance and Musicology Faculty Special Piano Department Kharkiv I.P. Kotlyarevsky National University of Arts Kharkiv, Ukraine.

Ihor Sediuk, Kharkiv I.P. Kotlyarevsky National University, Ukraine.

Assistant Professor PhD in Musicology Special Piano Department Arts Performance and Musicology Faculty Kharkiv I.P. Kotlyarevsky National University, Ukraine.

Ievgeniia Bondar, A.V. Nezhdanova Odessa National Music Academy, Ukraine.

Doctor of Science Professor A.V. Nezhdanova Odessa National Music Academy, Choral Conducting Department Odesa, Ukraine.

Tetiana Kornisheva, Kherson State University, Kherson, Ukraine.

Candidate of Study of Art, Associate Professor Department of Musical Arts, Kherson State University, Kherson, Ukraine.

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