The digital evolution of art: current trends in the context of the formation and development of metamodernism
Keywords:
metamodernism, Ukrainian art, computerization, digital technologies, oscillation.
Abstract
The involvement of gadgets and digital technologies is becoming an increasingly integral part of everyone's personal life and work life. Art has also adapted to the rapid digital evolution and computerization in all creative fields. This trajectory of development provokes a new form and philosophy of artistic development, which is called metamodern. This article examines the theoretical foundations of metamodernism and defines the main provisions of this cultural phenomenon through the prism of the development of digital technologies and the latest means of artistic direction. The main purpose of this research work is the study and in-depth analysis of the formation and development of metamodernist intentions in the modern cultural environment and the definition of the conceptual content of metamodern art. Also, the author of the article determined the purpose of distinguishing metamodernism because of the differences in its essential characteristics from the characteristics of modernism and postmodernism. The methodological approach of the research is the search and theoretical analysis of Ukrainian and foreign sources aimed at studying the phenomenon of metamodernism in view of the digital evolution of art. The author of this article used the method of analysis, cultural-historical, descriptive, comparative and theoretical-literary methods of research. As a result of scientific research, the formation and development of digital art and metamodern art were analyzed. The author also tried to identify the nearest trends in the development of the philosophy of metamodernism in the Ukrainian artistic field.
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Wang, V., & Wang, D. (2021). The Impact of the Increasing Popularity of Digital Art on the Current Job Market for Artists. Art and Design Review, 9(3), 242-253. doi: 10.4236/adr.2021.93019
Westerby, G., & Keegan, K. (2019). Digital Art History and the Museum: The Online Scholarly Collection Catalogues at the Art Institute of Chicago. Visual Resources, 35(1-2), 141-154. https://doi.org/10.1080/01973762.2018.1553445
Bishop, C. (2018). Against digital art history. International Journal for Digital Art History, 3, 123-130. https://doi.org/10.11588/dah.2018.3.49915
Cardinali, M. (2019). Digital Tools and Technical Views: The Intersection of Digital Art History and Technical Art History in a Digital Archive on the Painting Technique of Caravaggio and His Followers. Visual Resources, 35(1-2), 52-73. https://doi.org/10.1080/01973762.2019.1555351
Dahlgren, A. N., & Wasielewski, A. (2020). Cultures of Digitization: A Historiographic Perspective on Digital Art History. Visual Resources, 36(4), 339-359. https://doi.org/10.1080/01973762.2021.1928864
Darewych, O. H. (2021). The Future Is Now: Group Digital Art Therapy for Adults With Autism Spectrum Disorder (L’avenir dès maintenant: groupe d’art-thérapie numérique pour adultes ayant un trouble du spectre de l’autisme). Canadian Journal of Art Therapy, 34(1), 26-32. https://doi.org/10.1080/26907240.2021.1907940
Elham, A. R. (2019). Digital art for the promotion of the creative aspect in the plastic art. Global Journal of Arts, Humanities and Social Sciences, 7(1), 1-14. http://www.eajournals.org/wp-content/uploads/Digital-Art-for-the-Promotion-of-the-Creative-Aspect-in-the-Plastic-Art.pdf
Farting, S. (2019). History of art from ancient times to the present. Kharkiv: Vivat. ISBN. 978-966-942-839-4
Grebenyuk, T. V. (2018). Freedom in the literature of the metamodern world: the Ukrainian dimension. Journal of V. N. Karazin Kharkiv National University, 78, 160-164.
Gupta, S. (2019). The rise of digital art. International Journal of Research – GRANTHAALAYAH, 7(11), 161-164. https://doi.org/10.29121/granthaalayah.v7.i11.2019.3729
Gunn, A. (2020). Art of Nation: Revisiting Will Dyson’s War Work in a Digital Art Exhibition. Journal of Australian Studies, 44(4), 535-551. https://doi.org/10.1080/14443058.2020.1828997
Harrison, L. (2021). Mike McCormack’s style of post-mortem modernism. Textual Practice, 1-29. Recovered from https://doi.org/10.1080/0950236X.2022.2111709
Haiduk, N. A., & Tarapatov, M. M. (2022). Theoretical foundation of metamodernism as a new form of modern culture. Bulletin of the National Academy of Managers of Culture and Arts, 1, 30-35. Doi: 10.32461/2226-3209.1.2022.257441
Horyslavets, E. V. (04, 2020). Artistic strategies of metamodernism in the culture of audiovisual arts. V. M. Sheyko, Culture and information society of the 21st century. Kharkiv: Kharkiv State Academy of Culture. https://ic.ac.kharkov.ua/nauk_rob/konfer/konfer/2020/KIS-2020/KIS-2020_program.pdf
Kersten, D., & Wilbers, U. (2018). Introduction: Metamodernism. English Studies, 99(7), 719-722. https://doi.org/10.1080/0013838X.2018.1510657
Lanova, V. V. (2022). Metamodernist intentions in K. Ishiguro's novel "Clara and the Sun". Colloquium-journal, 19(142), 41-43. doi: 10.24412/2520-6990-2022-19142-41-43
Lassan, E. R. (2018). Rap battles as a specific genre of modern culture. Genres of things, 4(20), 313–320. https://doi.org/10.18500/2311-0740-2018-4-20-313-320
Li, J. (2022). Gamification of digital art: promoting speculative design and interactive experience. Interactive Learning Environments, 1-12. Recovered from https://doi.org/10.1080/10494820.2022.2113099
Machulin, L. I. (2022). The impact of NFTs (non-fungible tokens) on the art world. Culture of Ukraine, 75, 67-77. https://doi.org/10.31516/2410-5325.075.09
Masters, B. (2021). Adjustment-style: from H. G. Wells to Ali Smith and the metamodern novel. Textual Practice, 35(6), 967-995. https://doi.org/10.1080/0950236X.2021.1935750
Mazur, O. (11, 2020). Ensuring the security of archival funds of music audio recordings of radio companies in conditions of digitization. S. V. Ivanov & M. G. Lutskyi, Culture and art: modern scientific dimension. Kyiv: National Academy of Managers of Culture and Arts, [In Ukranian]
Mykhaylova, K. (2020). Peculiarities of metamodernism in Asian auteur cinema. Central Asian Journal of Art Studies, 5(3), 50-70. https://cajas.kz/journal/article/view/264/237
Osadcha, K. P., & Baluta, V. S. (2021). The influence of modern trends in digital art on the content of training in computer graphics and digital design. Ukrainian Journal of Educational Studies and Information Technology, 9(1), 1-12. https://doi.org/10.32919/uesit.2021.01.01
Petrova I. (2017). The renaissance concept of permission according to the works of Petrarch. Bulletin of the National Academy of Managers of Culture and the Arts, 3, 3-7. Recovered from: https://doi.org/10.32461/2226-3209.3.2017.138665
Piro, J. S. (2018). Integral education within metamodernism. Educational Philosophy and Theory, 50(14), 1455–1456. doi: 10.1080/00131857.2018.1461401
Shabanova, Yu. O. (2019). Oscillation as a dimension of metamodern philosophy. Epistemological studies in Philosophy, Social and Political Sciences, 2(2), 13-22. https://doi.org/10.15421/341920
Shmagalo, R. (2018). Creation of an educational and scientific digital resource of artistic culture and art of Ukraine. Ethnological notebooks, 142(4), 875-885. https://nz.lviv.ua/archiv/2018-4/11.pdf
Sovgyra, T. I. (2020). Digital technologies in modern visual art. Bulletin of KNUKiM. Series: Art History, 42, 65-71. https://doi.org/10.31866/2410-1176.42.2020.207634
Tereshchenko, A. V. (2020). Metamodernism is a new concept in modern Internet culture. V. O. Dubka, V. B. & Kiselyova, Fifth International Scientific and Practical Conference "Open Evolving Systems" (146-148). Kyiv: FOP Maslakov. http://dspace.luguniv.edu.ua/jspui/bitstream/123456789/5396/1/Tereshenko.pdf
Vertyporoh, O. V. (2022). Author's subjectivity in the modern prose context: from postmodernism to metamodernism. Transcarpathian Philological Studies, 23(1), 251-255. https://doi.org/10.32782/tps2663-4880/2022.23.1.48
Volynets, V. O. (2021). Integration of virtual and augmented reality in art. Culture and modernity: almanac, 1, 9-16. doi: 10.32461/2226-0285.1.2021.238532
Wang, V., & Wang, D. (2021). The Impact of the Increasing Popularity of Digital Art on the Current Job Market for Artists. Art and Design Review, 9(3), 242-253. doi: 10.4236/adr.2021.93019
Westerby, G., & Keegan, K. (2019). Digital Art History and the Museum: The Online Scholarly Collection Catalogues at the Art Institute of Chicago. Visual Resources, 35(1-2), 141-154. https://doi.org/10.1080/01973762.2018.1553445
Published
2022-10-18
How to Cite
Kovalova, M., Alforova, Z., Sokolyuk, L., Chursin, O., & Obukh, L. (2022). The digital evolution of art: current trends in the context of the formation and development of metamodernism. Amazonia Investiga, 11(56), 114-123. https://doi.org/10.34069/AI/2022.56.08.12
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