The human concept in Russian Neomodernist prose of the 21st Century

Keywords: artistic metaphysics, historiosophy, neo-modernism, personality concept, Russian prose.

Abstract

Research subject is grounding efficiency and topicality of Russian literature (and its studies) as a cultural project, that could be apologia of a traditional individual. Methodological basis is anthropocentric literature of Erich Auerbach, Dmitry Likhachev, Sergey Averintsev, Harold Bloom, in which literary text analysis, assessment of genre structures lead to the conclusions on the individual’s state under the established cultural tradition. Analysis of contemporary Russian novels outlines authors’ worlds. Reading them evokes various images: of a passionate individual, often with certain intent, but always affected by the interaction with crises and voids (Yury Buida), an individual characterized by various anti-totalitarian acts, by aspiration to exercise the freedom of thought in everyday life (Ludmila Ulitskaya), an egocentric individual, believing that the most significant victories come in the representation of the own self (Edward Limonov), an individual prone to interaction with totalitarian principles, synthesizing non-canonic metaphysical forms and attributes of strong state under ambivalent relations of utopia and anti-utopia (Vladimir Sorokin), an individual actively exploring modern world and general existence in motions, related by the author to Oriental cognition principles and spiritual practices (Victor Pelevin). Our focused literary analysis aims at combining all text moves in plot and language that represent evolvement of a person as one of the central problems of any novel.

Downloads

Download data is not yet available.

Author Biographies

Alexey Tatarinov, Kuban State University, Krasnodar, Russia.

Doctor of Philological Sciences, Professor, Kuban State University, Krasnodar, Russia.

Marina Bezrukavaya, Kuban State University, Krasnodar, Russia.

Doctor of Philological Sciences, Associate Professor, Kuban State University, Krasnodar, Russia.

References

Auerbach, E. (2003). Mimesis: The Representation of Reality in Western Literature. Fiftieth Anniversary Edition. Princeton: Princeton University Press.

Averintsev, S. (1977). The Poetics of Early Byzantine Literature. Moscow: Publishing house Science (in Russian).

Belyakov, S. (2007). Don Quixote from Haifa. Novy Mir, 5. Available at http://magazines.russ.ru/novyi_mi/2007/5/be13.html (in Russian)

Bobileva, A.L. and Prokhorova, T. (2016). The interaction between the theatrical and fairytale discourses of Yuri Buida's novel “Blue blood”. Journal of Language and Literature, 7(3), 206-210.

Bloom, H. (1994). The Western Canon: The Books and School of the Ages. New York: Harcourt Brace.

Buida, Y.V. (2011). Blue Blood. Moscow: Eksmo. http://loveread.ec/view_global.php?id=34202 (in Russian).

Buida, Y.V. (2013). Thief, Spy and Murderer. Moscow: Eksmo. http://loveread.ec/view_global.php?id=17865 (in Russian).

Buida, Y.V. (2014). Poison and honey. Moscow: Eksmo. http://loveread.ec/view_global.php?id=36291 (in Russian).

Chrząszcz, M. (2017). An object in a human development to maturity. The Big green tent by Ludmila Ulitskaya. Studia Literaria Universitatis Iagellonicae Cracoviensis, 12 (4), 245-253, http://dx.doi.org/10.4467/20843933ST.17.020.7785

Compagnon, А. (2014). The Demon of Theory. Literature and common sense. Paris: Points.

Doraiswamy, R. (2007). Politics and literature in Russia: Recent trends. International Studies, 44 (4), 305-315, http://dx.doi.org/10.1177/002088170704400402

Dyakova, K. (2007). Experiments. “Empire V” reader’s margin notes. Novy Mir, 9. Available at https://magazines.gorky.media/novyi_mi/2007/9/chitatelskie-zametki-na-polyah-empire-v.html (in Russian)

Galina, M. (2013). Undead choosing us, or once more about ‘Vampire Novels’ by Victor Pelevin. Novy Mir, 8. Available at http://magazines.russ.ru/novyi_mi/2013/8/20m.html (in Russian)

Gillespie, D. (2016). Vladimir Sorokin and the return of history. In Tabachnikova, O. (Ed.), Facets of Russian Irrationalism between Art and Life: Mystery inside Enigma, 61, 519-530. Leiden: Brill, http://dx.doi.org/10.1163/9789004311121_025

Givens, J. (2016). New directions in Russian literature. Russian Studies in Literature, 52(1), 1-6, http://dx.doi.org/10.1080/10611975.2016.1189294

Grimova, O. (2013). Narrative intrigue in Yury Buida’s ‘Blue Blood’. Narratorium, 1-2. Available at http://narratorium.rggu.ru/article.html?id=2631078 (in Russian)

Kovtun, N. and Razumovskaya, V. (2017). Nabokov’s code in the early works by L. Ulitskaya: Literary criticism and translation aspects. In 4th International SGEM Conference Proceedings, 6 (2), 555-562. Available at https://sgemsocial.org/ssgemlib/spip.php?article5130&lang=en

Latynina, A.N. (2006). Super-man or inhuman? Novy Mir, 4. Available at http://magazines.russ.ru/novyi_mi/2006/4/lat9.html (in Russian)

Likhachev, D.S. (1967). The Poetics of Old Russian Literature. Leningrad: Nauka (in Russian).

Limonov, E.V. (2014). The Old Man. Moscow: Limbuss Press. http://loveread.ec/view_global.php?id=40747 (in Russian).

Limonov, E.V. (2012a). Illuminations. Moscow: Ad Marginem Press. http://loveread.ec/view_global.php?id=54543 (in Russian).

Limonov, E.V. (2012b). In Syrah. Moscow: K. Tublin Publishing House. http://loveread.ec/view_global.php?id=36620 (in Russian).

Lipovetsky, M. (2013). Sorokin-trop: Carnavalisation. NLO, 120. Available at http://magazines.russ.ru/nlo/2013/120/li11.html (in Russian)

Lipovetsky, M. (2000). Literature on the margins: Russian fiction in the Nineties. Studies in 20th Century Literature, 24(1), https://doi.org/10.4148/2334-4415.1478

Malenica, I. and Šmit, Z.M. (2015). Anti-utopian and Deconstructive Vision: Vladimir Sorokin, Blue Lard. Croatica et Slavica Iadertina, 11 (1), 193-202. Available at https://bib.irb.hr/datoteka/809078.Malenica_i_Matek_Smit_V._Sorokin_Plavo_salo.pdf

Pandžić, M. and Šmit, Z.M. (2010). Lyudmila Ulitskaya, ‘The funeral party’: The remnants of Soviet identity. In Stefanskij, E. [Ed.], International collection of scientific works on cultural linguistics: European mentality Through the Prism of Language, 126-133. Samara, Russia: Samarskaja gumanitarnaja akademija. https://www.bib.irb.hr/545528

Pelevin, V. (2006). Empire V. Moscow: Eksmo. http://loveread.me/view_global.php?id=2936 (in Russian)

Pelevin, V. (2004). The Sacred Book of the Werewolf. Moscow: Eksmo. http://loveread.me/view_global.php?id=2938 (in Russian)

Pelevin, V. (2009). Т: novel. Moscow: Eksmo. http://loveread.me/view_global.php?id=2935 (in Russian)

Primochkina, N.N. (2010). On the classics background (review of the book: V. T. Pelevin, Roman. Moscow, 2009). NLO, 105. Available at http://magazines.russ.ru/nlo/2010/105/pr33.html (in Russian)

Rebel, G. (2007). Lyudmila Ulitskaya: Evish Issue? Friendship of Peoples, 7. Available at http://magazines.russ.ru/druzhba/2007/7/re14.html (in Russian)

Shishkova-Shipunova, S. (2007). Daniel Stein's code, or a good man from Haifa. Znamya, 9. Available at http://magazines.russ.ru/znamia/2007/9/sh13.html (in Russian)

Sokhareva, T. (2014). Author Drank Honey, Gazeta.Ru. Available at http://www.gazeta.ru/culture/2014/02/05/a_5883597.shtml (in Russian)

Sorokin, V. (2006). Day of the Oprichnik. Moscow: Zakharov Books. http://loveread.ec/view_global.php?id=49832 (in Russian)

Sorokin, V. (2013). Telluria. Moscow: Corpus (AST). http://loveread.ec/view_global.php?id=23220 in Russian)

Sorokin, V. (2009). Trilogy, Moscow: Corpus (AST). http://loveread.ec/view_global.php?id=37748 (in Russian)

Tatarinov, A. (2015). Ways of Contemporary Russian Prose. Moscow: Flinta: Nauka. https://www.litres.ru/a-v-tatarinov/puti-noveyshey-russkoy-prozy-uchebnoe-posobie/ (in Russian).

Ulitskaya, L. (2006). Daniel Stein, Interpreter. Moscow: Eksmo. http://loveread.ec/view_global.php?id=3366 (in Russian).

Ulitskaya, L. (2015). Jacob’s Ladder. Moscow: AST. http://loveread.ec/view_global.php?id=50073 (in Russian).

Ulitskaya, L. (2011). The Big Green Tent. Moscow: Eksmo. http://loveread.ec/view_global.php?id=3367 (in Russian).

Vojvodić, J. (2011). Daniel Steinus Transfers (international peer-review). Russian Literature, 69(1), 141-155, http://dx.doi.org/10.1016/j.ruslit.2011.02.012

Zatonsky, D. (2000). Modernism and Post-modernism: Thoughts about Eternal Circulation of Fine and Non-fine arts. Kharkov, Ukraine: Folio. http://elcat.pnpu.edu.ua/docs/zatonskyy.pdf (in Russian)

Zhitenev, A. (2012). Neo-modernism Poetics. Saint-Petersburg: Inapress. https://www.phil.vsu.ru/science/pdf/zhitenev.pdf (in Russian)

Zenkin, S. (2017). The Theory of Literature. Problems and Results. Moscow: Publishing House "New Literary Review".https://www.nlobooks.ru/books/nauchnaya_biblioteka/17489/
Published
2021-08-31
How to Cite
Tatarinov, A., & Bezrukavaya, M. (2021). The human concept in Russian Neomodernist prose of the 21st Century. Amazonia Investiga, 10(43), 9-19. https://doi.org/10.34069/AI/2021.43.07.1
Section
Articles
Bookmark and Share