Formation of romantic instrumental performance and violin art of Niccolo Paganini

Autores

DOI:

https://doi.org/10.34069/AI/2022.50.02.18

Palavras-chave:

instrumental art, romanticism, concert-virtuoso culture, violin creativity of N. Paganini, performing technology.

Resumo

The article analyzes the features of formation of instrumental performance of the romantic period and the main factors of this process revealed on the example of Niccolo Paganini’s violin work. The methodological basis of the article is a comprehensive review based on historical-theoretical and music-performing approaches to the research of the stated problems. The main methods of work are historical-comparative, structural-functional and theoretical generalization.

The main principles of performance and repertoire of the Italian violinist are determined. The influence of the Italian maestro on the performing arts of prominent representatives of musical romanticism – H. Berlioz, K. Lipinsky, F. Liszt, F. Chopin, R. Schumann and others – is defined.

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Biografia do Autor

Olha Zavialova, Sumy State Pedagogical University named after A.S. Makarenko, Sumy, Ukraine.

Department of Arts, Musicology and Cultural Studies Sumy State Pedagogical University named after A.S. Makarenko, Sumy, Ukraine.

Oleksandr Stakhevуch, Sumy State Pedagogical University named after A.S. Makarenko, Sumy, Ukraine.

Department of Choral Conducting, Vocals and Methods of Music Training, Sumy State Pedagogical University named after A.S. Makarenko, Sumy, Ukraine.

Mariya Kalashnyk, H.S. Skovoroda Kharkiv National Pedagogical University, Kharkiv, Ukraine.

Department of Musical and Instrumental Teacher Training, H.S. Skovoroda Kharkiv National Pedagogical University, Kharkiv, Ukraine.

Hanna Savchenko, Kharkiv I. P. Kotlyarevsky National University of Arts, Kharkiv, Ukraine.

Composition and Orchestration Department, Kharkiv I. P. Kotlyarevsky National University of Arts, Kharkiv, Ukraine.

Halyna Stakhevуch, Sumy State Pedagogical University named after A.S. Makarenko, Sumy, Ukraine.

Department of choreography and musical instrumental performance, Sumy State Pedagogical University named after A.S. Makarenko, Sumy, Ukraine.

Referências

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Dmitrieva, A.S. (1980) Literary manifestos of Western European romantics. Moscow: Publishing house Moscow University. Retrived from: http://padabum.com/d.php?id=34131 (19.01.2022)

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Ginzburg, L., & Grigoriev, V. (1990). History of the violin art. Vol. 1. Moscow: Music. Retrived from: https://ru.ua1lib.org/book/3593688/c32eda (19.01.2022)

Grigoriev, V. (1987). Niccolo Paganini. Life and art. Moscow: Music.

Keene, S. (2012) Paganini Syndrome and other true stories of genius, recorded in our genetic code. Moscow: Eksmo. Retrived from: https://avidreaders.ru/book/sindrom-paganini-i-drugie-pravdivye-istorii.html (19.01.2022)

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Khudozhnikova, S., Ekimenko, T., & Merchant, L. (2014) Biography of Mr. Johann Joachim Kvants, compiled by himself, or Autobiography of a court musician. Trans. Petrozavodsk: PetrSU Publishing House. Retrived from: http://intoclassics.net/news/2020-03-12-48845 (19.01.2022)

Raaben, L. (1967) Life of remarkable violinists: Biographical etudes. Moscow-Leningrad: Music.

Sivachenko, N.M. (2019) Niccolo Paganini. Create for violin and piano: educational and methodical collection, Ed.-compiler Kiev: Notna factory. Retrived from: https://www.skm-music.com.ua/catalog/13998/n-paganini-tvori-dlya-skripki-ta-fortepiano.html (19.01.2022)

Yampolsky, I.M. (1961) Niccolo Paganini. Life and art. Moscow: Muzgiz.

Yefremenko, N.B. (1997). On the secret of Paganini. ? short guide to the accelerated mastery of the technique of playing the violin: ed. 3rd. Moscow: PAN.

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Publicado

2022-03-10

Como Citar

Zavialova, O., Stakhevуch O., Kalashnyk, M., Savchenko, H., & Stakhevуch H. (2022). Formation of romantic instrumental performance and violin art of Niccolo Paganini. Amazonia Investiga, 11(50), 180–187. https://doi.org/10.34069/AI/2022.50.02.18

Edição

v. 11 n. 50 (2022)

Seção

Articles