Estudio del papel de la imaginación y sus principios de evaluación en el cine desde la perspectiva de Jacques Lacan
Palabras clave:
Orden imaginario, orden simbólico, orden real, cine, Jacques Lacan.Resumen
Jacques Lacan, el conocido psicoanalista francés, cree que la psique humana se forma de acuerdo con el triple patrón que existe la posibilidad de comprender el inconsciente, así como las acciones y reacciones del ser humano a través del análisis. Lacan considera que la mente humana consiste en tres órdenes imaginarios, simbólicos y reales que actúan simultáneamente y en conexión. La metodología de investigación es analítica-descriptiva. En este artículo, utilizando el psicoanálisis lacaniano y el orden imaginario, estudiaríamos el papel de la imaginación y su evaluación en el cine desde la perspectiva de Jacques Lacan.
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Citas
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Evans, D. (2003). An Introductory Dictionary of Lacanian Psychoanalysis, New York: Routledge.
Habib, R. (2005). A History of Literary Criticism: From Plato to the Present. London: Blackwell.
Hasanli, K. and Haghighi, SH. (2011). Symbolism of Akbar Radin in the contrast of two women in play ‘ from behind the glass ‘, literary criticism, 16, 55-84
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Mafakher, F. (2012). Architecture principles and standards with the approach of behavioral pattern of slow paced children and adolescents, Architecture PHD thesis, Islamic Azad university Science and research branch, College of Arts and Architecture, Tehran
Owens, D. (2008). Preliminary dictionary of Lacanian psychoanalytic terms, translated by Rafi, M & Parsa, M, second edition, Tehran: Gameno.
Radi, A. (2008). From behind the glass. Fourth edition. Tehran : ghatre publication
Richie, D (2000).Akira Kurosawa films, translated by Islami, M & Montazeri, H, Ney publication, Tehran
Vahidnia, A. (2012). Studying the language of ‘from behind the glasses’. Angha , H: knowing Radi , Tehran: Ghatre publication
Zamiran, M. (2006). Dynasty scholarship of philosophy, philosophical thoughts at the end of second millennium. Tehran: Hermes
Allen miller, J. (2011). A and a in clinical structures, translated by Vaghfipoor, SH. In the hill of broken images: articles about psychoanalysis, Tehran: Cheshme publication
Evans, D. (2003). An Introductory Dictionary of Lacanian Psychoanalysis, New York: Routledge.
Habib, R. (2005). A History of Literary Criticism: From Plato to the Present. London: Blackwell.
Hasanli, K. and Haghighi, SH. (2011). Symbolism of Akbar Radin in the contrast of two women in play ‘ from behind the glass ‘, literary criticism, 16, 55-84
Homer, SH. (2009). Jacques Lacan, translated by Jafari, A & Mousavi, S, Tehran: Ghoghnoos
Lider, D. (1999). Step by step with modern philosophy of Lacan, translated by Parhizgar, M. Nazar publication: Tehran
Mafakher, F. (2012). Architecture principles and standards with the approach of behavioral pattern of slow paced children and adolescents, Architecture PHD thesis, Islamic Azad university Science and research branch, College of Arts and Architecture, Tehran
Owens, D. (2008). Preliminary dictionary of Lacanian psychoanalytic terms, translated by Rafi, M & Parsa, M, second edition, Tehran: Gameno.
Radi, A. (2008). From behind the glass. Fourth edition. Tehran : ghatre publication
Richie, D (2000).Akira Kurosawa films, translated by Islami, M & Montazeri, H, Ney publication, Tehran
Vahidnia, A. (2012). Studying the language of ‘from behind the glasses’. Angha , H: knowing Radi , Tehran: Ghatre publication
Zamiran, M. (2006). Dynasty scholarship of philosophy, philosophical thoughts at the end of second millennium. Tehran: Hermes
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Publicado
2019-02-27
Cómo citar
Kakasoltani, H., & Ardalani, H. (2019). Estudio del papel de la imaginación y sus principios de evaluación en el cine desde la perspectiva de Jacques Lacan. Amazonia Investiga, 8(18), 76–82. Recuperado a partir de https://amazoniainvestiga.info/index.php/amazonia/article/view/263
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