Published 2024-08-30
Keywords
- idea of freedom in the theory of drama, author’s dance theatre, non-ballet music, scenography, composition of theatrical dance.
How to Cite
Copyright (c) 2024 Maryna Pogrebnyak, Olena Nemkovich, Valerii Hromchenko
This work is licensed under a Creative Commons Attribution 4.0 International License.
Abstract
This article investigates the influence of the ‘idea of freedom in the theory of drama’ on the form of the author’s dance theatre in the 20th and early 21st centuries. Through analysis of creative works by representatives of modern dance theatre, the study identifies and generalizes key stylistic and compositional features. These include: complete freedom in theatrical form and theme selection; liberation from conventional dance vocabulary in favor of ‘unconditional’ movement; free choice of music, including ‘non-ballet’ music; synthesis of diverse elements such as ritual dances, martial arts and acrobatics, abandonment of traditional pas-de-deux in favor of dance – dialogue; the emergence of new forms of author’s dance theatre; new compositional methods; and innovative scenography. The findings reveal how the pursuit of freedom has shaped the evolution of modern dance theatre, fostering artistic expression and pushing the boundaries of traditional form.
Downloads
References
- Akka Knebekaise. (2015, September 23). Igor Stravinsky – Sacred spring (film-ballet, 1978) [Video file]. Youtube. Retrieved from https://youtu.be/ypvP4KX-Ack
- Allga 383. (2013, April 12). CL About the return of William Forsyth's ballets to stage of the Mariinsky Theatre. Youtube. [Video file]. Retrieved from https://youtu.be/1l1Kd-p1ouk
- Anderson, J. (1992). Ballet. Modern dance. A concise history. New Jersey: Princeton Book Company, Publishers.
- Balanchine, G., & Mason, F. (2000). 101 stories of the Great Ballets. Мoscow: КRON-PRES
- Balme, Ch. (2008). Introduction to the theatre studies. Lviv: VNTL – Klasiсa.
- Bejart, M. (1989). Book 1: Moments in the life of another. Book 2: Whose life. (L. Zonina, M. Zonina, Trans.). Мoscow: Soyuztheater. (Original work published 1979).
- Benes, S. (1980). Terpsichore in Sneakers. Post-Modern Dance. Boston: Houghton Mifflin Harcourt Publishing.
- Bilash, P. N. (2004). Choreography art and formation of Ukrainian stage choreography in the context of the development of Europe an artistic culture in the 10s – 30s of the XX century. (Unpublished PhD thesis). State Academy of Managerial Personnel of Culture and Arts, Kyiv.
- Blair, F. (1986). Isadora: Portrait of the Artist as a Woman. New York: McGraw Hill, USA.
- Вolshoї Theatre. (2013, March 31). Sacred spring – Bejart Ballet Lausanne. [Video file]. Youtube. Retrieved from https://youtu.be/NnLOmVX4k7k.
- Boborykina, T. (еditor.) (2020). Eifman Ballet. Magic Dance Theatre. (2021). St. Petersburg: Rare book from St. Petersburg.
- Chepalov, A. I. (2007). Choreographic theatre of Western Europe of the XXth century: monograph. Kharkiv: KSAC, Ukraine.
- Classic Music. (2012, June 14). Dmitry Shostakovich. Ballet Golden Age (1983) [Video file]. Youtube. Retrieved from https://youtu.be/Mk7fRIXJOW8?si=1tUc3ObXTTsP7dEt
- DeFrantz, T. F. (2003). Dancing Revelations: Alvin Ailey’s Embodiment of African American Culture. Oxford: Oxford University Press.
- Devero, T. (1988). Coming to the world of Ancient Hellas. Soviet ballet, 4, 48-50. http://www.gornitsa.ru/item.php?id=15523386
- Dobrotvorskaya, K. A. (1992). Isadora Duncan and the Theatrical Culture of the Age of Art Nouveau. (Unpublished PhD thesis). St. Peterburg State Institute of Theatre, Music and Cinematography named after N. K. Cherkasov, St. Peterburg.
- Dobrovol'skaya, H. (1968). Choreographer Jacobson. Leningrad: Art. https://acortar.link/Ni15GO
- Duncan, I. (1921). Movement is life. Мoscow: Duncan School Edition.
- Dushniy, А., Shafeta, V., Salii, V., Storonska, N., & Molchko, U. (2024). The impact of globalization on performance musicology: Challenges and opportunities for music education in the 21st Century. Amazonia Investiga, 13(76), 323-332. https://doi.org/10.34069/AI/2024.76.04.26
- Fokin, M. (1962). Against the stream. Memories of choreographer. Articles, letters, ed. Yu. Slonimsky. Leningrad – Moscow: Art.
- Forsythe, W. (1999). Improvisation Technologies. A tool for the Analitical Dance Eye. ZKM. Karlsrue: Digital art addition, Special issue second edition.
- Galina. (2019, September 10). Boris Eifman. [Video file]. Youtube. Retrieved from https://youtube.com/playlist?list=PLvNtVFvExiKutptl2ofs8GZtls5a9zzcN&si=EeJs85eAw9nu4VFP.
- Gershuni, E. (1968). I'm talking about stage. Leningrad: Art.
- Goleizovsky, K. (1922). Old and new. The letters about ballet. Screen, 32, 15-23. https://www.piteroldbook.ru/auction.2741/Auction_Number_22.2765/ekran_%E2%84%96_20_za_1922_g.12104.html
- Graham, M. (1991). Blood memory: An autobiography. New York: Doubleday.
- Guatterini, M. (2001). ABC of ballet (Yu. P. Lisovsky, Trans.). Moscow: BMM AO. (Original work published 1998)
- Herdan, O. (1964). For the development of the Ukrainian tank. Freedom, part 66 (April 8). Retrieved from https://libraria.ua/all-titles/group/1324/
- Hodgson, J. (2007). Mastering Movement: The Life and Work of Rudolf Laban. London: Methue Drama.
- Hutchinson-Guest, A. (1988). Shawn’s Fundamentals of Dance. New York: Routledge.
- Hugo, V. (1956). Critical articles, essays, letters: collected works in 15 volumes. Moscow: Imaginative literature, Vol. 14, 766 p.
- Jinner, R. (1963). The Technique of the Revived Greek Dance. London: The Imperial Society of Teachers of Dancing.
- Kandinsky, V. (1992). About the spiritual in art. Moscow: Аrchimedes.
- Khudekov, S. (2009). General history of dance. Moscow: Eskimo.
- Krasovskaya, V. (1974). Nijinsky. Leningrad: Art.
- Life of Great People. (2014, November 2). Vaclav Nizhynsky. Geniuses and villains. [Video file]. Youtube. Retrieved from https://youtu.be/WieKwnN0C_A?si=82atw1LV_367Pixt
- Leatherman, L. (1966). Martha Graham. Portrait of the Lady as an Artist. New York: Alfred A. KNOPP.
- Lee (A. Cherepnin). (1927). Dialectic of ballet. Art life, 34, 30. http://lib.sptl.spb.ru/ru/nodes/15689-zhizn-iskusstva-1927-locale-nil-31-35
- Levenkov, O. R. (2007). Georg Balanchine. Perm: Book World.
- Lewis, D. (1984). The illustrade Dance technique of Jose Limon. Horizon Book
- Lviv, N. (1922). Goleizovsky and Lukin. Hermitage, 11, 23-31.
- Maletic, V. (1987). Body – Space – Expression. The development of Rudolf Laban’s Movement and Dance Concepts. Berlin; New York: Mouton De Gruyter.
- Mannings, S. A. (1993). Ecstasy and the demon: feminism and nationalism in the dances of Mary Wigman. London: University of California Press.
- Manshilin, A. (2014). Aftertaste. Dance in Ukraine and the world, 1(7), 40-1.
- Massine, L. (1968). My Life in Ballet. London: Macmillan.
- Melchinger, S. (1929). Dramaturgie des Sturms und Drang. Gotha, Klots.
- Mille, A. (1991). Martha, the life and work of Martha Graham. New York: Library of Congress Cataloging in-Publication Data. Random House, Copyright.
- McDonagh, D. (1976). The Complete Guide to Moder Dance. Publisher, Doubleday.
- Nijinska, В. (1981). Early Memoirs. New York: Holt, Rinehart & Winston.
- Nijinsky, V. (2000). Feeling: Notebooks. Мoscow: Vagriue.
- Opera national De Paris. (2018). The Rite of Spring -- Martha Graham Dance Company. [Video file]. Youtube. Retrieved from https://youtu.be/NI0QnXSQMo4?si=NaWHVNjGpJJmoagd
- Partsch-Bergsohn, I. (1994). Modern dance in Germany and the United States. Grasscerrents and Influences. Harwood: Harwood Academic Publishers.
- Pavliv, A., Mosendz, O., Rybchenko, O., Avula, A., & Fryz, P. (2024). Interplay of tradition and modernity in contemporary art practices. Amazonia Investiga, 13(75), 331-342. https://doi.org/10.34069/AI/2024.75.03.28
- Pogrebnyak, M. (2015). Modern dance of the XX century: origins, stylistic typology, panorama of historical course, evolution: monograph. Poltava: PNPU named after V. G. Korolenko.
- Pogrebnyak, M. (2020). New directions of dance of the XX – the beginning of the XXI century: historical and cultural preconditions, cross-cultural ties, stylistic typology: monograph. Poltava: Astraia.
- Rambert, M. (1972). Quicksilver. The Autobiography of Marie Rambert London: Macmillan St. Martin's Press: Internet Archive. URL: https://archive.org/details/quicksilverautob00ramb/page/7/mode/1up
- Schmidt, N. J. (2002). Pina Bausch: «Tanzen gegen die Angst». 4. Aufl. Berlin: Ullstein paperback publisher.
- Schwellinger, L. (1998). The Origin of Butoh. Munchen: Judgment.
- Sheremetyevskaya, N. (1981a). Stage dance. Russiian Soviet stage. 1930--1945. History essays. Moscow: Art.
- Sheremetyevskaya, N. (1981b). Stage dance. Russiian Soviet stage. 1946--1977. History essays. Moscow: Art.
- Sidorov, A. (1922). Contemporary dance. Мoscow: Pervina.
- Siegel, M.B. (1987). Days on Earth: The Dance of Doris Humphrey. New Haven: Yale University Press.
- Soal Laboratory. (2022, May 25). Rite of Spring, Stravinsky. [Video file]. Youtube. Retrieved from https://youtu.be/DudoaKeVTUw?si=sqmrCXndmo9-6tBt
- Sokolov, A. A. (1975). Petrograd Ballet early 1920s and F. Lopukhov. (Unpublished PhD thesis). Leningrad State Institute of Theatre, Music and Cinematography. Leningrad.
- Stebbins, G. (1885). Delsarte System of Expression. New York: Werner publishing and supply.
- Stodelle, E. (1984). Deep Song. The Dance Story of Martha Graham. New York: Schirmer Books / Macmillan.
- Stravinsky, I., & Suvchinsky, P. (1942). Poetique musical. Cambridge: MA.
- Surits, E. (1979). Choreographic Art of the 1920s: Development trends. Moscow: Art.
- Terry, W. (1964). Izadora Duncan. Her Life, her Art, her Legacy: illustrated with photos and drawings. New York: Dodd, Mead.
- Theatre Jean Vilar / Vitry-sur-Sein. (2016, July 4). Benedetto Pacifico - Karine Ponties. [Video file]. Youtube. Retrieved from https://youtu.be/p3smkztVY5c?si=i7eCH9OpdwUgWE5p
- Uglich, M. (1966). Album of social portraits. Soviet stage and circus, 6, 30. http://period.vlib.by/index.php/24-journals-category/2193-sov-jestrada-i-cirk-journal
- Uvarova, E. (1983). Variety theatre: miniatures, reviews, music halls (1917-1945). Moscow: Art.
- Uvarova, E. (2004). Stage in Russia: XX century: encyclopedia. Moscow: Оlma-press. (In Russian)
- Verkhovenko, O. A. (2013). Dance component of the musical of the second half of the XXth and the beginning of the XXIst century. (Unpublished PhD thesis). Kyiv National University of Culture and Arts, Kyiv.
- Verkina, Т. (еditor.) (2002). Franz Liszt and the problems of synthesis of arts. Collection of scientific works. Kharkov: RА — Caravel.
- Vladimirova, N. (2009). The aesthetic and artistic foundations of the reformers of the Western European theatre of the XIX-XX centuries (Ye. G. Kreg, G. Fucks, A. Appia). (Unpublished doctoral dissertation). Kyiv National University of Theatre, Film and Television named after Ivan Karpenko Karyy, Kyiv.
- Wigman, M. (2021). Absolute dance. Memoirs, letters, articles. Moscow: Museum of contemporary art "Garage", Artguide Editions.
- Wolfe, V. (1982). From Brodway a little aside: 70s. Essays about theatrical life of the USA. Moscow: Art.
- Yakobson, L. (1965). The creative path of a choreographer, his ballets, miniatures, performers. Leningrad-Moscow: Art.