Published 2024-07-30
Keywords
- artworks, challenges, community, impact indicators, urban environment.
How to Cite
Copyright (c) 2024 Olga Galchynska, Liudomyr Filonenko, Rosslan Lozev, Mykhailo Sydor, Valentyna Drotenko
This work is licensed under a Creative Commons Attribution 4.0 International License.
Abstract
This article explores the socio-political impact of public art installations. It interprets impact indicators, describes public art as a result of socio-political transformations, reveals the characteristics of national identity through public art, studies public art during war, and compares the symbolism of public art installations across different countries. The research employed a descriptive methodology, including literature analysis, visual and document analysis, theoretical assessment of impact indicators, historical and comparative analysis, and content analysis. The findings demonstrate that public art is a crucial cultural phenomenon that shapes collective memory, national identity, and cultural heritage. The study identifies various types of public art and highlights the growing popularity of digital and multimedia art. It also distinguishes impact indicators of public art installations and proves that public art plays a vital role in stimulating socio-political transformations, shaping cultural identity, advocating for positive change, increasing civic engagement, and addressing social justice issues. The research emphasizes the short-term and long-term effects of public art installations and pays special attention to their role during wartime.
Downloads
References
- Alimi Selmani, T. (2024). The influence of music on the development of a child: Perspectives on the influence of music on child development. EIKI Journal of Effective Teaching Methods, 2(1). https://doi.org/10.59652/jetm.v2i1.162
- Al-Zadjali, Z. (2024) The significance of art in revealing a culture’s identity and multiculturalism. Open Journal of Social Sciences, 12, 232-250. doi: 10.4236/jss.2024.121015
- Archer, A. (2024). How public statues wrong: Affective artifacts and affective injustice. Topoi, 1-11. https://doi.org/10.1007/s11245-024-10025-y
- Arranz Otaegui, I., & Moore, K. C. (2022). Visual art and propaganda ecologies in the Basque country: A sample of Guernica motifs from the Benedictine sticker archives (1978–1989). Arts, 11(3), Article 62. https://doi.org/10.3390/arts11030062
- Ballard, S., & Linden, L. (2019). Spiral Jetty, geoaesthetics, and art: Writing the Anthropocene. The Anthropocene Review, 6(1-2), 142-161. https://doi.org/10.1177/2053019619839443
- Banerjee, P. (2023). Sustainable Art and Cultural Heritage: Balancing Conservation and Innovation. Expressions: A Journal of Art and Culture, 1(01). https://doi.org/10.57939/expressions.v1i01.2
- Bashovski, M., & Rossi, N. (2023). Introduction: political subjectivity in times of crisis. Globalizations, 1-16. https://doi.org/10.1080/14747731.2023.2186102
- Beinart, K. (2020). Don’t look back: The challenges of public art and meanings of authenticity in heritage contexts. Public Art Dialogue, 10(2), 161-183. https://doi.org/10.1080/21502552.2020.1790873
- Bekh, Y., Romankova, L., Vashkevych, V., Yaroshenko, A., & Lipin, M. (2021). Artistic aspects of embodiment of postmodern theater practices in the context of COVID-19 pandemic. Postmodern Openings, 12(1Sup1), 313-322. https://doi.org/10.18662/po/12.1Sup1/287
- Bilozub, L., Tymoshenko, M., Bedrina, N., Voronova, N., & Andrushchenko, T. (2023). Art history research in scientific discourse. Revista Eduweb, 17(1), 167-175. https://doi.org/10.46502/issn.1856-7576/2023.17.01.16
- Blatt-Gross, C. (2023). Short- and long-term outcomes of community-based art education among students in higher education. Education Sciences, 13(2), 166. https://doi.org/10.3390/educsci13020166
- Burdman, J. (2020). Universality without consensus: Jean-François Lyotard on politics in postmodernity. Philosophy & Social Criticism, 46(3), 302-322. https://doi.org/10.1177/0191453719854215
- Cheng, H., & Worrall, J. (2021). Unfolding China’s urban development: The implementation of public art in Beijing and Shanghai. Journal of Chinese Architecture and Urbanism, 3(1), Article 1025. https://doi.org/10.36922/jcau.v3i1.1025
- Cheng, Y., Chen, J., Li, J., Li, L., Hou, G., & Xiao, X. (2023). Research on the preference of public art design in urban landscapes: Evidence from an event-related potential study. Land, 12(10), Aricle 1883. https://doi.org/10.3390/land12101883
- Chused, R. (2020). Charging Bull, Fearless Girl, Artistic Composition, and Copyright. NYU Journal of Intellectual Property and Entertainment Law, 10(1). https://jipel.law.nyu.edu/charging-bull-fearless-girl-artistic-composition-and-copyright/
- Conduru, R. (2023). Roda and Terreiro: The Historiography of Brazil’s Visual Arts at the Crossroads of Globalization. Arts, 12(3), 103. https://doi.org/10.3390/arts12030103
- Costello, D. (2021). Conceptual art and aesthetic ideas. Kantian Review, 26(4), 603-618. doi: 10.1017/S1369415421000388
- de Waal, C. (2024). The significance of Charles Sanders Peirce for the twenty-first century. In C. de Waal (ed.) The Oxford Handbook of Charles S. Peirce. Oxford Academic. https://doi.org/10.1093/oxfordhb/9780197548561.002.0007
- Demir Türközü, C., & Caliskan, O. (2021). Mural as public art in urban fabric: An attempt to link configurational approach to perceptual morphology. Journal of Design for Resilience in Architecture and Planning, 2(Special Issue), 147-170. https://doi.org/10.47818/DRArch.2021.v2si040
- dos Reis, M., & Elias, H. (2020). Advertising urban murals: an analysis from social semiotics. CAP - Public Art Journal, 1(2), 19-29. https://doi.org/10.48619/cap.v1i2.98
- Downey, H., & Sherry, J. F. (2023). Public art tourism: Atmospheric stories in city margins. Annals of Tourism Research, 101, Article 103606. https://doi.org/10.1016/j.annals.2023.103606
- Grindon, G., Williams, J., & Hay, D. (2023). Mapping British public monuments related to slavery. Slavery & Abolition, 45(2), 384-407. https://doi.org/10.1080/0144039X.2023.2264837
- Huang, Y., & Zheng, G. (2023). The influence and function of the public art industry on aesthetic education under the background of new curriculum reform. Herança, 6(2), 174-190. https://doi.org/10.52152/heranca.v6i2.758
- Husselman, T.-A., Filho, E., Zugic, L. W., Threadgold, E., & Ball, L. J. (2024). Stimulus complexity can enhance art appreciation: Phenomenological and psychophysiological evidence for the pleasure-interest model of aesthetic liking. Journal of Intelligence, 12(4). Article 42. https://doi.org/10.3390/jintelligence12040042
- Iannelli, L., & Marelli, C. M. (2019). Performing civic cultures: Participatory public art and its publics. International Journal of Cultural Studies, 22(5), 630-646. https://doi.org/10.1177/1367877919849964
- Inácio, S. (2020). Sculpture and sustainability. CAP - Public Art Journal, 2(1), 120-131. https://doi.org/10.48619/cap.v2i1.357
- Johnstone, J., & O’Hare, M. (2023). Art for policy and policy for art. Journal of Public Affairs Education, 30(2), 256–273. https://doi.org/10.1080/15236803.2023.2254631
- Katsambekis, G., Iliadis, C., Balampanidis, I., & Papataxiarchis, E. (2022). Emotions of protest in times of crisis: representation, dislocation and remedy in the Greek ‘squares movement.’ Political Research Exchange, 4(1). https://doi.org/10.1080/2474736X.2022.2035192
- Kecheng, Z., & Hussain, M. (2023). The historical origin and public manifestation of public art. Pakistan Social Sciences Review, 7(3), 61-71. https://doi.org/10.35484/pssr.2023(7-III)06
- Kolinets, L. (2023). International Financial Markets of the Future: Technological Innovations and Their Impact on the Global Financial System. Futurity of Social Sciences, 1(3), 4-19. https://doi.org/10.57125/FS.2023.09.20.01
- Kopiievska, O., Haidukevych, K., Pashkevych, M., Kozlovska, M., & Korolenko, E. (2023). Sociocultural practice in the discourse of creative industries development. Postmodern Openings, 14(1), 01-15. https://doi.org/10.18662/po/14.1/600
- Korzilius, L. (2022). The Vietnam Veterans Memorial – Presenting the Unpresentable. 5th International Conference of Contemporary Affairs in Architecture and Urbanism (ICCAUA-2022) (pp. 523-541). Analya: Alanya HEP University. https://doi.org/10.38027/ICCAUA2022EN0014
- Kot, S., Mozolevska, A., Polishchuk, O., & Stodolinska, Y. (2024). The discursive power of digital popular art during the Russo-Ukrainian war: Re/shaping visual narratives. Arts, 13(1), Article 38. https://doi.org/10.3390/arts13010038
- Kuznetsova, I. (2021). The feminist geopolitics of Donbas: The role of art in challenging bordering. Region, 10(1), 61-84. https://www.jstor.org/stable/27127996
- Leahy, E. L. (2024). State murals, protest murals, conflict murals: Evolving politics of public art in Ukraine. Arts, 13(1), 1. https://doi.org/10.3390/arts13010001
- Lee, R., Hong, K., Chang, W., & Tan, A. W. K. (2020). Economic growth and the arts: A macroeconomic study. Cogent Business & Management, 7(1). https://doi.org/10.1080/23311975.2020.1807203
- Marcondes, M. J. (2020). Public art and modernity. CAP - Public Art Journal, 1(2), 8-17. https://doi.org/10.48619/cap.v1i2.111
- McNally, D., McClymont, K., Brookes, E., Landau-Donnelly, F., Luger, J., Lanci, G., & Griffin, L. (2023). Planning, art, and aesthetics: Edited by Katie McClymont and Danny McNally. Planning Theory & Practice, 24(3), 389-425. https://doi.org/10.1080/14649357.2023.2230046
- Mezzadri, P. (2021). Contemporary murals in the street and urban art field: Critical reflections between preventive conservation and restoration of public art. Heritage, 4(3), 2515-2525. https://doi.org/10.3390/heritage4030142
- Milani, T. M. (2022). Banksy’s walled off hotel and the mediatization of street art. Social Semiotics, 32(4), 545-562. https://doi.org/10.1080/10350330.2022.2114730
- Milne, C., & Pojani, D. (2022). Public art in cities: what makes it engaging and interactive? Journal of Urban Design, 28(3), 296-315. https://doi.org/10.1080/13574809.2022.2121272
- Mohd Hawari, A. D., & Mohd Noor, A. I. (2020). Project Based Learning Pedagogical Design in STEAM Art Education. Asian Journal of University Education, 16(3), 102-111. https://doi.org/10.24191/ajue.v16i3.11072
- Mosendz, O., Filimonova-Zlatohurska, Y., Pankiv, H., Bannikova, K., & Vlasiuk O. (2022). Problems and prospects of the development of Ukrainian art (realities of martial law). Amazonia Investiga, 11(58), 74-83. https://doi.org/10.34069/AI/2022.58.10.8
- Müller, A.-L. (2019). Voices in the city. On the role of arts, artists and urban space for a just city. Cities, 91, 49-57. https://doi.org/10.1016/j.cities.2018.04.004
- Olaiya, T. A. (2022). Shifting the goalposts: Postcolonial Africa and the west in the global “two publics” of the development paradigm. Sage Open, 12(2). https://doi.org/10.1177/21582440221097927
- Pedroso, J. E. P., Gicole, C., & Sarches, A. (2023). Learning local history and culture through museum visits. EIKI Journal of Effective Teaching Methods, 1(3). https://doi.org/10.59652/jetm.v1i3.36
- Petronienė, S., & Juzelėnienė, S. (2022). Community Engagement via Mural Art to Foster a Sustainable Urban Environment. Sustainability, 14(16), Article 10063. https://doi.org/10.3390/su141610063
- Popescu, D. I., & Schult, T. (2019). Performative Holocaust commemoration in the 21st century. Holocaust Studies, 26(2), 135-151. https://doi.org/10.1080/17504902.2019.1578452
- Rietveld, E., & Kiverstein, J. (2022). Reflections on the genre of philosophical art installations. Adaptive Behavior, 30(6), 589-602. https://doi.org/10.1177/10597123221133189
- Røyseng, S. (2021). Public art debates as boundary struggles. International Journal of Cultural Policy, 28(5), 581-594. https://doi.org/10.1080/10286632.2021.2009472
- Rudenko, O., & Kharkov, S. (2023). Philosophical studies of the future in the context of postmodern knowledge: theory, methodology. Futurity Philosophy, 2(3), 4-16. https://doi.org/10.57125/FP.2023.09.30.01
- Simoniti, V. (2021). Art as political discourse. The British Journal of Aesthetics, 61(4), 559-574. https://doi.org/10.1093/aesthj/ayab018
- Smetzer, M. A. (2024). Replacing settler spaces: The transformational power of indigenous public art. Arts, 13(2), 60. https://doi.org/10.3390/arts13020060
- Smith, T. (2019). Philosophy in the Artworld: Some Recent Theories of Contemporary Art. Philosophies, 4(3), 37. https://doi.org/10.3390/philosophies4030037
- Sokołowska-Paryż, M. (2022). Un-doing the Vietnam War Legacy: Monumentalizing Second World War Veterans to Legitimize Contemporary US Military Interventions. Journal of War & Culture Studies, 16(3), 312-331. https://doi.org/10.1080/17526272.2021.2019373
- Stoltz, B. (2023). A nature thing: What does contemporary ecological art produce? Arts, 12(2), 67. https://doi.org/10.3390/arts12020067
- Tabor, S. M., Van Bavel, M., Fellner, K. D., Schwartz, K. D., Black, T., Black Water, C., & Pepion, J. (2023). Healing, empowering, engaging, learning, and decolonizing through culture: Living wellness, resilience, and resurgence in the classroom through creative arts. Canadian Journal of School Psychology, 38(1), 86-104. https://doi.org/10.1177/08295735221147322
- Tampubolon, M. (2022). Russia’s invasion of Ukraine and its impact on global geopolitics. European Scientific Journal, 18(20), 48. https://doi.org/10.19044/esj.2022.v18n20p48
- Thompson, J., & Day, J. (2020). Understanding the impact and value of temporary public art sculpture trails. Local Economy, 35(3), 186-208. https://doi.org/10.1177/0269094220921811
- Timko, T. (2021). The institutionalization of independent public art and its influence on social taste. SAUC – Street Art and Urban Creativity, 7(2), 66-73. https://doi.org/10.25765/sauc.v7i2.396
- Topaz, C. M., Higdon, J., Epps-Darling, A., Siau, E., Kerkhoff, H., Mendiratta, S., & Young, E. (2022). Race- and gender-based under-representation of creative contributors: art, fashion, film, and music. Humanities & Social Sciences Communications, 9(1), 221. https://doi.org/10.1057/s41599-022-01239-9
- Vdovichena, O., Tkachuk, S., Zhuzhukina, N., & Lukianykhina, O. (2022). The use of information in the world economy: globalization trends. Futurity Economics&Law, 2(4), 4-11. https://doi.org/10.57125/FEL.2022.12.25.01
- Villanueva, I. I., Li, N., Jilk, T., Renner, J., Van Matre, B. R., & Brossard, D. (2024). When science meets art on Instagram: Examining the effects of visual art on emotions, interest, and social media engagement. Science Communication, 46(2), 210-238. https://doi.org/10.1177/10755470241228279
- Wen, X., & White, P. (2020). The role of landscape art in cultural and national identity: Chinese and European comparisons. Sustainability, 12(13), 5472. https://doi.org/10.3390/su12135472
- Young, T., & Marshall, M. T. (2023). An investigation of the use of augmented reality in public art. Multimodal Technologies and Interaction, 7(9), Article 89. https://doi.org/10.3390/mti7090089
- Zebracki, M. (2020) Public art, sexuality, and critical pedagogy. Journal of Geography in Higher Education, 44(2), 265-284. https://doi.org/10.1080/03098265.2019.1661365
- Zhang, K., Hsiao, T. C., & Tian, Q. (2023). A probe into the developmental pattern of public art education in colleges and universities from the perspective of new media. Frontiers in Psychology, 14, 1138950. https://doi.org/10.3389/fpsyg.2023.1138950