The artist’s biography in the postmodernism epoch
Keywords:
biography, master, the Postmodernism, historical epochs, European culture.
Abstract
The objective of the article is to analyze the genesis and age transformation of the artist’s biography; to distinguish the role of a creative personality’s chronicle in the late 21st century; to justify its significant role implementing the anthropological concepts of the period. Research methodology: systemic – by comprehensive solution of the research issues with the involvement of science and methodological elaborations of humanitarian study; culture studies – by identifying the mutual relations between public and spiritual processes; historical – by the grasp of the specifics of the chronicle’s establishment and development; comparative – by comparing the biographies of various centuries; analytical – by considering sources in accordance with the publication issue; theoretical generalization – by summarizing the research results. The article is dedicated to considering the artist’s biography of the Postmodernism epoch. The Postmodernism synthesized elaborations of the preceding eras and on that basis altered the established views on the chronicle’s essence. The genre obtains new functions, i.e. communicative, civilizational, synergetic, etc.; it reveals the era’s controversies having occurred due to the lack of moral ideals, ethics and aesthetics canons and personified leaders. The key task of the biography is realizing the macrocosm structure through recognizing the microcosm of a non-ordinary profile.
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References
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Aleksentseva-Timchenko, K., & Melnikov, A. (2020). Biographical method as sociological research. [File PDF] URL: https://acortar.link/V2Rl9L
Andreiev, V. (2011). The historian’s “intellectual biography”: the explication of the notion. Eidos. Historical studies theory and history almanac, 5, 333-341 [in Ukrainian].
Bondarchuk, V.O. (2017). The study of the master’s creative biography within the framework of biographical research method. Young Scientist, 11(51), 495-498 [in Ukrainian]. http://molodyvcheny.in.ua/files/journal/2017/11/118.pdf
Cherkashyna T.Iu. (2015). Artistic original biography and biography memoirs: the discourse interrelation (the case study of the French authors’ artistic biographies). World literature: poetics, mentality and spirituality, 6, 139-148 [in Ukrainian].
Datsenko, V.P. (2021). The composer’s artistic individuality within the Ukrainian science discourse. The national culture and arts Academy Bulletin, 1, 173-179 [in Ukrainian].
Dichek, N. P. (2016). As a method Byohrafycheskyy tools polykulturnoho dialog. Еducational Path, 4. pp. 15-19. Retrieved from: https://lib.iitta.gov.ua/704483/
Hrab, U. (2016). Methodological aspects of the contemporary study of musicology intellectual biography. Ukrainian music, 1, 40-49 [in Ukrainian]. https://ukrmus.files.wordpress.com/2017/07/2016-1-n19-06.pdf
Ilchenko, O. (2021). Biographical method in historical and pedagogical research: essence, principle, specificity. Pedagogical sciences, 71, 61-66 [in Ukrainian].
Kharytonenko, О (2017). Genre facets of biographical discourse in contemporary periodicals. Journalism, 16(41), 150 – 171 [in Ukrainian]. https://acortar.link/wE0W2K
Klymychuk, V.O., & Moisiienko, Ya.V. (2007). Life path of a creative personality: biographical research principles. Social psychology, 6, 32-44 [in Ukrainian]. http://eprints.zu.edu.ua/4124/1/4.pdf
Levchenko, V. (2016). Intellectual biography as the key model of history research by Odessa generation of history scholars. Ukrainian biography studies, 14, 157-176 [in Ukrainian]. http://biography.nbuv.gov.ua/data/vidannya/14/JRN/PDF/11.pdf
Liashko, S.M. (2013). The “science biography” notion in the theory and practice of history and biography research. Ukrainian biography studies: the collection of science theses, 10, 25-47 [in Ukrainian]. http://biography.nbuv.gov.ua/data/vidannya/10/JRN/pdf/5.pdf
Marinesko, V. (2014). The Genre of Literary Biography in the Academic Focus: Accomplishments and Research Perspectives. The state and regions. Series: Humanitarian sciences, 1-2 (36-37), 20-24 [in Ukrainian].
Menzhulin, V. I. (2011). Historical and philosophical biography: leading trends and milestones. Scientific notes of NaUKMA. Series Philosophy and Religious Studies, 115, 18-25 [in Ukrainian]
Minakov, M. (2015). The science biography genre: the interaction of Ukrainian science, policy and ideology. Ukrainian humanitarian review, 30-45 [in Ukrainian]. https://acortar.link/99OLzF
Muratova, O. V. (2020). Biography as a form of the artist’s personality cognition: the essence, aspects, interpretations. Scientific Bulletin of the International Humanitarian University. Ser.: Filologhija, 46, 94-97 [in Ukrainian]. http://vestnik-philology.mgu.od.ua/archive/v46/part_3/24.pdf
Mykulanynets, L. M. (2015). Biography of artist as means of culture interpretation. Ukrainian culture: the past, the present, ways of development, 2(21), 80-84 [in Ukrainian].
Mykulanynets, L.M. (2017). The conceptual categories of postmodernism in the discourse of modern artistic culture. National Academy of Culture and Arts Management Нerald: Science Journal, 4, 192-195 [in Ukrainian].
Mykulanynets, L. (2022a). The artwork as a part of the artist’s biography. National Academy of Culture and Arts Management Нerald: Science journal, 2, 170-174 [in Ukrainian]. http://dspace-s.msu.edu.ua:8080/handle/123456789/9029
Mykulanynets, L. (2022b). The embodiment of postmodernism categories in the artist’s biography. Notes on art criticism, 41, 91-95 [in Ukrainian]. http://dspace-s.msu.edu.ua:8080/bitstream/123456789/9030/1/The%20_embodiment_.pdf
Onufriienko, O.P. (2011). The artist’s science biography within the culture and artistic context. Contemporary issues of linguistics and literature studies, 15, 194-198 [in Ukrainian].
Popovych, O. (2011). Biography as a cultural phenomenon and object. Humanitarian Journal, 2, 96-103[in Ukrainian].
Reva, L. (2009). Ukrainian literature biography studies of the late 20th – early 21st century. Word and Time, 11, 98-106 [in Ukrainian]. http://dspace.nbuv.gov.ua/bitstream/handle/123456789/133606/13-Reva.pdf?sequence=1
Tymoshenko, M. (2020). Models of biographical construction in the context of neoclassical discourse. Journal of Tchaikovsky National Music Academy of Ukraine, 4 (49), 8-20 [in Ukrainian]. https://doi.org/10.31318/2414-052x.4(49).2020.220825
Tyshko, S. (2019). The ways of culture studies research of the musicians’ artistic biographies. Kyiv musicology. Culture and arts studies series, 58, 79-90 [in Ukrainian]. https://doi.org/10.33643/kmus.2019.58.07
Valevskyi, A.L. (1993). The basics of biographics. Kyev: scientific thought [in Ukrainian].
Vashchenko, V. (2009). The concept of the “intellectual biography”and construction of «scientific biographies» in Ukrainian historiog-raphy. Eidos. Historigraphic Almanac, 4, 475-486 [in Ukrainian]. https://acortar.link/LK3WBq
Published
2023-06-30
How to Cite
Mykulanynets, L., Zhyshkovych, M., Bassa, O., & Ksondzyk, O. (2023). The artist’s biography in the postmodernism epoch. Amazonia Investiga, 12(65), 10-19. https://doi.org/10.34069/AI/2023.65.05.1
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Articles
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